At his mother's funeral, stuffy bank clerk Henry Pulling meets his Aunt Augusta, an elderly eccentric with more-than-shady dealings who pulls him along on a whirlwind adventure as she ... See full summary »
Louis Gossett Jr.
American Walter Elbertson, in his late teens, is feeling lost within his family of overachievers. Thirty-something Englishwoman Lila Fisher is emotionally repressed. The two meet on their ... See full summary »
Alan J. Pakula
Don Jaime de Mora y Aragón
Beloved actress Geraldine McEwan (Agatha Christie's Marple, The Magdalene Sisters) is imperious, unorthodox teacher Jean Brodie in this seven-part television miniseries. Adapted from the ... See full summary »
Film screenwriter Jake Armitage and his wife Jo Armitage live in London with six of Jo's eight children, with the two eldest boys at boarding school. The children are spread over Jo's three... See full summary »
A liberated young schoolteacher at an Edinburgh girls' school in the period between the two wars, instructs her girls on the ways of life. Ignoring the more mundane subjects, she teaches them of love, politics and art. Her affairs with two male teachers become known and she finds herself fighting to keep her job. She believes that she can always count on the 100% support of her favourite pupils, but one of them does not feel that Miss Jean Brodie is in her "prime" any more. No longer swayed by her teacher's eloquence, she begins to learn about life and love herself.Written by
The original play was offered to Maggie Smith first. Because of film commitments she declined and Vanessa Redgrave played Miss Brodie on stage. However, when the movie was being made, the role of Miss Brodie was offered to Redgrave first. This time, she had prior commitments and declined and Maggie Smith took the role, offered her originally, and won an Oscar for playing it. According to director Ronald Neame, Redgrave phoned him saying that she refused to repeat that 'proto-Fascist part.' Neame claims he was relieved because he didn't want to use her anyway. See more »
When Mr. Lloyd spies Ms. Brodie and the girls from his studio window, he is seen wearing dark brown trousers. He rushes from the room and when he emerges on the street, he is wearing light coloured trousers. See more »
Just watched it for the third time in as many days. Oh, Edingurgh looks gorgeous, and so does Dame Maggie. I admit to knowing very little about her, but this role alone would make me a lifetime fan.
Rather than another summary and interpretation I want to riff on a few seemingly random points ...
1) The costumes. Fabulous, fabulous period costumes. The grey of the "gehrls" ... all those pleated skirts and dropped waists! Sandy's little gingham number! The bloomers ... oh, how sweet those bloomers were (and I mean nothing perverse by that, I just thought they were cute, and I'll own up to always wondering what was under those '30s skirts). The school uniforms, the effect of the repetition on that gray, gray, gray, and those tidy peter-pan collared shirts: you could easily see why Miss Brodie fancied herself a bit of a Duce herself, she seemed to be surrounded by a uniformed army. And then ... against the greys of the girls, the greys, whites and blacks of the staff -- wonderful houndstooths and glen plaids, especially on the headmistress -- Miss Brodie, impossibly slim and hipless, in radiant plums, flame colors, paisleys and asymmetrical jackets. If only I could have a tailor like that. It worked, it absolutely works still: it doesn't look a bit garish, as so many Technicolor extravaganzas can.
2) Miss Brodie's blindness to who Sandy really is - her insensitivity to her; going on about how "ordinary morals will not apply" to the allegedly-beautiful girl (well, she's blonde anyway) while failing to look beneath the glasses of the real stunner, Sandy. Who with the slightest bit of knowledge about pre-teen girls would do that - harp on a friend's beauty and negligently add, "Oh, but you have insight, dear"? The whole set-up: Sandy's elevated to a peer-like relationship, Sandy's confided in, yet Sandy is only a mirror for Jean, not valued, not truly noticed. I believe that's the dynamic - almost like a neglected lover's - that triggers Sandy's betrayal.
3) Sandy, and her amazing transformation. My jaw actually dropped when we saw her with the painter: did they film over a period of years, I wondered? How could that little girl be THIS young woman? Going back and watching - the schoolgirl uniform, the tousled short hair, the whole expression, look in the eyes, everything. The over-sized glasses. The most convincing precocious-12-year-old performance. And then - pow, an adult! all without CGI. That was impressive.
4) The giggling and sexually curious girls. Hey, I do remember being 12, and yeah, it was like that!
5) That incredible dance scene, the 2 girls tangoing while speculating on "doing it." Fantastic blocking. And funny, and charming as hell. I especially like Sandy's aggressive cranking of the Victrola.
I personally detested the painter - the whole notion of the father of 6 tomcatting about, well, yuck - and his manhandling of the ladies is simply vile. But those were the times, I suppose. The headmistress was sublime. The overall look is artful but not overdone and all perfectly unified and beautiful. Enjoy - I certainly have!
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