At his mother's funeral, stuffy bank clerk Henry Pulling (Alec McCowen) meets his Aunt Augusta Bertram (Dame Maggie Smith), an elderly eccentric with more-than-shady dealings who pulls him ... See full summary »
Louis Gossett Jr.
In a Florence pensione circa 1900 with English guests, George Emerson (Julian Sands) and his dad (Denholm Elliott) offer their rooms with views to Lucy Honeychurch (Helena Bonham Carter) and her chaperone, Charlotte Bartlett (Dame Maggie Smith). Lucy and George get acquainted, but Lucy returns to England. George and Lucy meet again, but now she's engaged.
Helena Bonham Carter,
Six monologues tell the stories of six different repressed souls: a man dominated by his mother, a vicar's wife, an inveterate letter writer, a hopeful actress, a recently widowed woman, ... See full summary »
Screenwriter Jake Armitage (Peter Finch) and his wife Jo Armitage (Anne Bancroft) live in London with six of Jo's eight children, with the two eldest boys at boarding school. The children ... See full summary »
American Walter Elbertson (Timothy Bottoms), in his late teens, is feeling lost within his family of overachievers. Thirty-something Englishwoman Lila Fisher (Dame Maggie Smith) is ... See full summary »
Alan J. Pakula
Don Jaime de Mora y Aragón
At a home for retired musicians, the annual concert to celebrate Composer Giuseppe Verdi's birthday is disrupted by the arrival of Jean (Dame Maggie Smith), an eternal diva and the former wife of one of the residents.
Beloved actress Geraldine McEwan (Agatha Christie's Marple, The Magdalene Sisters) is imperious, unorthodox teacher Jean Brodie in this seven-part television miniseries. Adapted from the ... See full summary »
A liberated young schoolteacher at an Edinburgh girls' school in the period between the two world wars, instructs her girls on the ways of life. Ignoring the more mundane subjects, she teaches them of love, politics and art. Her affairs with two male teachers become known and she finds herself fighting to keep her job. She believes that she can always count on the one hundred percent support of her favorite pupils, but one of them does not feel that Miss Jean Brodie (Dame Maggie Smith) is in her "prime" anymore. No longer swayed by her teacher's eloquence, she begins to learn about life and love herself.Written by
Originally released March 1969 in the U.S., it was re-released after Dame Maggie Smith won the Academy Award for Best Actress in April 1970 and brought the studio an additional 1.9 million dollars. See more »
The telephone on Miss McKay's desk is from the 1940s. The transmitter (what you talk into) would have been different, and the dial would have been plain black, instead of stainless steel in 1932. See more »
This is my favourite movie ever. It's made 19 years before I was born, but I don't care. I quite started crying after I'd seen this movie... Maggie Smith may be as old as my grandfather, whatever. She's the most wonderful actress ever... Oh, for heaven's sake, if ever someone deserved an Oscar...
What more can I say? Miss Jean Brodie is a dangerous, hypocrite and narcistic woman, and yet you like her. You have to like her. When you watch the movie, you know she's a facist, and you know that what she preaches is rubbish, but you just do not caze. Miss Brodie stands for "art, beauty and truth" and you just feel she's just deceived and too progressive for her time. But, as Sandy says it in the end of the movie, she is "a dangerous woman". Yet I love her.
And I love Maggie Smith. Dear Dame Maggie, if you ever read this, you are just... so... damn... bloody... great.
Oh for heaven's sake... go and watch this movie.
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