Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
A Michigan farmer and a prospector form a partnership in the California gold country. Their adventures include buying and sharing a wife, hijacking a stage, kidnaping six prostitutes, and turning their mining camp into a boomtown. Along the way there is plenty of drinking, gambling, and singing. They even find time to do some creative gold mining.Written by
David J. Kiseleski <email@example.com>
The film ultimately cost twice its original budget. See more »
When the group is discussing buying one of the Mormon's wives Tabor who is against the purchase of her for a wife declares that she is a married woman and Holbrook states "No she isn't! We don't recognize plural marriages in California!". But they do later when Mrs. Rumson comes up with the idea to marry pardner too. However, it was earlier stated in the film that Elizabeth is married to Ben Rumson through the governing of mining law, which also covers the point that mining partners get equal share of what is recognized by mining law as their claim. The Rumsons and Pardner use the latter fact as a loophole to justify the plural marriage. See more »
Did you know that the Fenty's had an apple farm back in Pennsylvania?
Apple jack, huh?
No, sir, we did not make apple jack!
Then, what did you grow the apples for?
Mr. Rumson, do you think that everything that comes out of the earth should be used to make liquor?
Whenever possible, yes.
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On its release to what were then called "neighborhood theatres" (i.e. theatres which showed films that had ended their first runs downtown), the film's running time was shortened by having three songs eliminated, "I Still See Elisa", "The First Thing You Know", and "Gold Fever". This left both Lee Marvin and Clint Eastwood with only one solo song each. The film was restored to its original length for its first television showing, and has remained that way ever since. See more »
Joshua Logan's screen version of "Paint your wagon" works a treat, perhaps because the original stage version is so little known and apparently has been given something of a make-over by screen writer Paddy Chayefsky. The fact that the leads (Lee Marvin, Clint Eastwood and Jean Seberg) can't sing matters not a jot; they perform with charisma, (even Seberg is less wan than usual) and bring a touch of realism to the proceedings, their songs seeming to evolve naturally from the action. Other singing duties are performed by the splendid Harve Presnell and a rousing, mostly male, chorus for this is a musical western of a more robust kind than "Seven Brides for Seven Brothers". It's plot, which concerns mining for gold, polygamy and the building of a town, fairly races along. Logan handles the whole thing with great aplomb and brings to it some nice, naturalistic touches sadly lacking from his earlier musicals, "South Pacific" and "Camelot". Most critics didn't warm to it, though and it remains largely under-valued.
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