James Bond woos a mob boss's daughter and goes undercover to uncover the true reason for Blofeld's allergy research in the Swiss Alps that involves beautiful women from around the world.
James Bond is led to believe that he is targeted by the world's most expensive assassin while he attempts to recover sensitive solar cell technology that is being sold to the highest bidder.
James Bond investigates the hijacking of British and Russian submarines carrying nuclear warheads, with the help of a K.G.B. Agent, whose lover he killed.
James Bond willingly falls into an assassination ploy involving a naive Russian beauty in order to retrieve a Soviet encryption device that was stolen by SPECTRE.
A fake Fabergé egg, and a fellow Agent's death, lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
James Bond is living on the edge to stop an evil arms dealer from starting another world war. Bond crosses all seven continents in order to stop the evil Whitaker and General Koskov.
A resourceful British government agent seeks answers in a case involving the disappearance of a colleague and the disruption of the American space program.
George Lazenby steps into the role of James Bond and is sent on his first mission. For help with Draco, he must become very close friends with his daughter, Tracy, and heads off to hunt down Ernst Stavro Blofeld one more time. This takes him to Switzerland, where he must pose as Sir Hilary Bray to find out the secret plan of Blofeld. The facility is covered with Blofeld's guards as well as his hench-woman, Irma Bunt. What has Blofeld got in mind this time? Can Bond keep up this act for much longer? Are ANY Bond girls safe?Written by
simon
This is the only Bond movie in which Bond goes to Portugal, where Ian Fleming was inspired by Casino do Estoril to create Casino Royale, the first Bond novel. See more »
Goofs
When the skier falls into the snow-blower, there's some poor editing. The blood and guts seem to start coming out of the snow-blower before the man even falls into it, and his screaming continues to be heard after he is dead. See more »
Quotes
[first lines]
Q:
I've been saying for years, sir, that our special equipment is obsolete. And now, computer analysis reveals an entirely new approach: miniaturization. For instance, radioactive lint. When placed in an opponent's pockets, the anti-personnel and location fix seems fairly obvious.
M:
What we want is a location fix on 007.
See more »
Crazy Credits
During the opening credits, images are shown of Bond girls and villains. (This is the first Bond movie since Goldfinger to feature previous movies' footage in its credits.) Specifics are as follows. *First Set. *Honey Ryder from Dr. No (1962), standing on the beach. *Dr. No from the same, in front of his underground aquarium. *Tatiana Romanova from From Russia with Love (1963), messing around with her hair. *Pussy Galore from Goldfinger (1964), in the barn scene. *Second Set. *The title character from Goldfinger. *Assorted Bond girls from the Goldfinger (1964) / Thunderball (1965) era. *The "Flaming Car Crash" scene from Thunderball (1965). *Third set. *Emilio Largo, the main villain from Thunderball. *Aki, Kissy Suzuki, and a swordsman from You Only Live Twice (1967). *Blofeld's volcano lair exploding from the end of the same. Note the strategic absence of Blofeld from You Only Live Twice, as Blofeld is played by a different actor in this film. See more »
Giving the series a radical twist after the glorious Connery's farewell to 007 movies in You Only Live Twice, the producers intended for the first time to introduce a new take on Bond, returning to the literary roots of the character, as originally described in Fleming's novels and short stories. So Maibaum this time faithfully adapted one of Fleming's most successful and appreciated works: On Her Majesty's Secret Service. The screenplay is so close to the book that actually the movie is somewhat contradictory with previous Bond installments: Bloefeld and Bond don't know each other (???), and, in order to make the plot line look more logical, by changing the physical appearance of the villain, the part was given to Telly Savallas, who looks too amiable to be the bad guy, instead of the scarred and terrific Donald Pleasance. The plot is also very different from what the usual fans expect from Bond movies, being mainly focused on the romance between Bond and Tracy during the first half, then moving to Bloefeld's stronghold in Switzerland, and ending with 45 minutes of extremely exciting, non stop action.
The film's pacing is pretty irregular. The romance is probably the best part, at the best of Bond tradition, mainly thanks to Diana Rigg's inspired performance as Tracy, perfectly depicting an emotionally unbalanced, yet appealing and glamorous, woman. Lazenby's OK (at least at this part of the movie), but he lacks the masculinity and roughness Connery showed, what ultimately damages the movie, specially during the disastrous sequences which take place in Bloefeld's research facility in the Swiss Alps, which are laughable). There's nothing remarkable about them. (what a silly conspiracy!!), but 45 minutes spent, which make the movie overlong. When everything seems ruined, the film revives and takes us on a wild ride on an action packed roller-coaster (ski chase, Bond and Draco raid on Bloefeld's base), with a brief romantic rest as Bond and Tracy talk about their future life in common (Bond a journalist?),a very touching scene.
The ending remains as one of the top Bond moments, tragical and romantic. The stylish pre-credit sequence is equally brilliant,showing the natural elegance and "joie de vivre" we all associate with Bond.
A question: what if Connery had accepted to play Bond this time? I think this could be the best Bond movie ever made. But the producers came up with a martial arts expert with no experience in acting, which sadly overshadows many good points(on Lazenby's defense, it was his first performance), but this film still intensely shines as an interesting, strange gem in the Bond canon.
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Giving the series a radical twist after the glorious Connery's farewell to 007 movies in You Only Live Twice, the producers intended for the first time to introduce a new take on Bond, returning to the literary roots of the character, as originally described in Fleming's novels and short stories. So Maibaum this time faithfully adapted one of Fleming's most successful and appreciated works: On Her Majesty's Secret Service. The screenplay is so close to the book that actually the movie is somewhat contradictory with previous Bond installments: Bloefeld and Bond don't know each other (???), and, in order to make the plot line look more logical, by changing the physical appearance of the villain, the part was given to Telly Savallas, who looks too amiable to be the bad guy, instead of the scarred and terrific Donald Pleasance. The plot is also very different from what the usual fans expect from Bond movies, being mainly focused on the romance between Bond and Tracy during the first half, then moving to Bloefeld's stronghold in Switzerland, and ending with 45 minutes of extremely exciting, non stop action.
The film's pacing is pretty irregular. The romance is probably the best part, at the best of Bond tradition, mainly thanks to Diana Rigg's inspired performance as Tracy, perfectly depicting an emotionally unbalanced, yet appealing and glamorous, woman. Lazenby's OK (at least at this part of the movie), but he lacks the masculinity and roughness Connery showed, what ultimately damages the movie, specially during the disastrous sequences which take place in Bloefeld's research facility in the Swiss Alps, which are laughable). There's nothing remarkable about them. (what a silly conspiracy!!), but 45 minutes spent, which make the movie overlong. When everything seems ruined, the film revives and takes us on a wild ride on an action packed roller-coaster (ski chase, Bond and Draco raid on Bloefeld's base), with a brief romantic rest as Bond and Tracy talk about their future life in common (Bond a journalist?),a very touching scene.
The ending remains as one of the top Bond moments, tragical and romantic. The stylish pre-credit sequence is equally brilliant,showing the natural elegance and "joie de vivre" we all associate with Bond.
A question: what if Connery had accepted to play Bond this time? I think this could be the best Bond movie ever made. But the producers came up with a martial arts expert with no experience in acting, which sadly overshadows many good points(on Lazenby's defense, it was his first performance), but this film still intensely shines as an interesting, strange gem in the Bond canon.