In the pilot of the television series Night Gallery (1969), Rod Serling introduces three separate paintings, each with its own story of uncanny vengeance against evil to tell. The first, "The Cemetery", involves a black sheep nephew (Roddy McDowall) who murders his rich uncle to inherit his fortune - both much to the detriment of the uncle's butler (Ossie Davis) - only to find that vengeance extends beyond the grave. In the second story, "Eyes", a rich, heartless woman (Joan Crawford) who has been blind from birth blackmails an aspiring surgeon and a man who desperately needs money to give her a pair of eyes which will allow her to see for the first time - even though for only half a day's time - only to have the plan backfire on her in ways she never imagined. In the third story, "The Escape Route", a Nazi war criminal (Richard Kiley) is hiding from the authorities in South America, where he is confronted with his past demons and a curious Holocaust survivor (Sam Jaffe) and finds ...
Curly Q. Link
Did You Know?
's introduction for the pilot episode is different to that of the regular television series. Each canvas is covered with a sheet and there are no other paintings on display. See more
At the beginning of the Joan Crawford segment, we're told that Miss Menlo lives on Fifth Avenue. But the opening shot is on Park Avenue, not Fifth. See more
SS-Gruppenführer Helmut Arndt
Please! If there is a god, let him show himself now! Get me into the picture! I must get into the picture! Please, please! God, Christ, anyone! Get me into the picture! I must get into the picture!
Referenced in The Making of '1941'