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Erosu purasu gyakusatsu (1969)

Two interwoven stories. The first is a biography of anarchist Sakae Osugi which follows his relationship with three women in the 1920s. The second centers around two 1960s' students researching Osugi's theories.

Director:

Yoshishige Yoshida
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Cast

Credited cast:
Mariko Okada Mariko Okada ... Noe Ito
Toshiyuki Hosokawa Toshiyuki Hosokawa ... Sakae Osugi
Yûko Kusunoki Yûko Kusunoki ... Itsuko Masaoka
Kazuko Inano Kazuko Inano ... Akiko Hiraga
Etsushi Takahashi Etsushi Takahashi ... Jun Tsuji
Daijirô Harada Daijirô Harada ... Wada
Toshiko Ii Toshiko Ii ... Eiko Sokutai
Rest of cast listed alphabetically:
Yoshihide Gotô Yoshihide Gotô
Toshiko Inoue Toshiko Inoue
Kikuo Kaneuchi Kikuo Kaneuchi
Kyûzô Kawabe Kyûzô Kawabe
Katsuya Kobayashi Katsuya Kobayashi
Kazuko Kui Kazuko Kui
Kinji Matsueda Kinji Matsueda
Kazunori Miyazaki Kazunori Miyazaki
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Storyline

In the 1920s, the anarchist revolutionary Sakae Osugi is financially supported by his wife, journalist Itsuko Masaoka. He spends his time doing nothing but philosophizing about political systems and free love and visiting with his lovers Yasuko and the earlier feminist Noe Ito. He conveniently defends three principles for a relationship between a man and a woman: they should be financially independent (despite the fact that he is not); they should live in different places; and they should be free to have sex with other people. In 1969, twenty-year-old student, Eiko Sokuta is sexually active with various men. Her friend, Wada, is obsessed with fire and they usually play odd games using a camera while they read about Osugi and Ito. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Biography | Drama

Parents Guide:

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Details

Country:

Japan

Language:

Japanese

Release Date:

14 March 1970 (Japan) See more »

Also Known As:

Eros plus massacre See more »

Company Credits

Production Co:

Gendai Eigasha,Bungakuza See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (theatrical)

Sound Mix:

Mono

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Ichiko Kamichika, one of the characters from the film, was an active politician in the '60s who threatened to sue director 'Yoshishige Yoshida' for violation of privacy should this film be released uncut (to avoid legal issues in the first place, her name in the film was changed to Itsuko Masaoka). Thus, Yoshida was forced to cut a number of scenes centered around her. For a long time, the shorter cut of the film was the only one available. See more »

Quotes

Opening Text: Drunk upon the happiness of decadence, this film is a dialogue with you and I, the ambiguous participants in the erotica and revolutions of Sakae Osugi and Noe Ito, whose lives were dedicated to the beauty of chaos.
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Connections

Referenced in Nihon eiga no hyaku nen (1995) See more »

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User Reviews

 
Japanese Radicalism, Part One
9 May 2017 | by gavin6942See all my reviews

Two interwoven stories. The first is a biography of anarchist Sakae Osugi (1885-1923) which follows his relationship with three women in the 1920s. The second centers around two 1960s' students researching Osugi's theories.

This film is epic, even in its cut form. Yoshishige Yoshida uses a variety of clever, yet subtle, techniques including the idea of reflection to show the split time frames. Unfortunately, the film's shades of gray are not as stark as they could be.

The film is generally considered to be one of the finest film to come out of the Japanese New Wave movement, and sometimes one of the best Japanese films in general. Although relatively unknown in the West, it has gained a small cult following. Thanks to Arrow Video, it can now be seen uncut on Blu-ray. Personally, it is not my cup of tea, but not everything can be.


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