Netting a hefty profit from their latest drug deal, hippies Wyatt and Billy decide to outfit themselves with among other things motorbikes - Wyatt complete in what they call his Captain America gear and similar motif on the bike - and chucking any structure in their lives beyond the want to get there for the event, cycle from their home base of Los Angeles to New Orleans for Mardi Gras in just over a week. They don't plan to spend their proceeds on this trip - they saving that for a more carefree life in Florida after the fact - they sleeping in the great outdoors along the way. While Wyatt is more easy going, believing in the karmic nature and practicality of helping others when they can and in turn asking for help when they need it, Billy is a little more suspicious of the people they encounter, especially in hiding their wad of cash that is stuffed into the gas tank of Wyatt's bike, that money their future. They will find that not all counter-culturalists have the exact same ...Written by
There were two bikes used for Captain America, one was stolen, and the other was burned in the end of the movie. The burned bike was later restored by Peter Fonda, and was sold to John Parham, and can be seen in the National Motorcycle Museum in Anamosa, Iowa. See more »
In the jail scene where they first meet George, you can see the shadow of the boom mic on the wall as George and Billy walk across the jail cell after Billy is given a cigarette by the guard. See more »
[smoking joints at a campfire in the middle of nowhere]
I'm goin' down to Mardi Gras, I'm gonna git me a Mardi Gras Queen. Yeah, oh, man, wow, Mardi, that's gonna be the weirdest trip, you know. You know what we ought to do, man? First thing, man, go and get us a groovy dinner. Yeah, break out some of that cash, man.
[dog barks - Billy barks back]
Out here in the wilderness, fightin' Indians and Cowboys on every side. What's the matter? You zoned? What? You're really zoned, huh?
No, I'm just, kinda...
[...] See more »
'Easy Rider' is much more than a 60s relic - it's still a great movie even today. I find it fascinating that Hopper and Fonda took Roger Corman material and gave it an arthouse approach influenced by Godard and the French New Wave. Combined with breathtaking visuals, a well chosen rock soundtrack and some classic, stoned, improvised dialogue this is still an impressive movie all these years later. Fonda had recently made 'The Wild Angels', Hopper the less remembered 'The Glory Stompers', and Jack Nicholson 'Hells Angels On Wheels', but 'Easy Rider' reinvented the biker movie, and things were never quite the same in Hollywood for the rest of the Seventies. The supporting cast is interesting and includes a great role for the fantastically underrated Luke Askew as the "Stranger on Highway", and cameos from the stars buddies Luana Anders ('Dementia 13') and Sabrina Scharf (Nicholson's love interest in 'Hells Angels On Wheels'), as well Karen Black and Toni Basil's New Orleans hookers, Phil Spector's coke snorting bit part, and a fleeting glimpse of a young Grizzly Adams. You either love this movie or you don't, and I'm most definitely in the former camp. A 1960s generation-defining counter-culture classic!
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