After defeating The Long-Armed Devil and his armies, our nubbed hero has been living in retirement as a farmer, but circumstances causes him to come out of retirement and take on The Eight ...
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Lei Li lost his right-arm in a sword duel with the master of a martial arts school, long ago. Now, he is able to defend himself well with just his left arm, and kung fu techniques. That he ... See full summary »
The indomitable martial arts team of director Chang Cheh and stunt choreographer Liu Chia-liang continues the compelling saga of Golden Swallow from King Hu's Come Drink with Me in this ... See full summary »
The Yang family was the loyal strong-arm of the Imperial army. But a jealous General betrays the Eilte Spearman and their father to the opposing Mongol army. After an ambush of a battle, ... See full summary »
After his students are killed by the One Armed Boxer, a vengeful and blind Kung Fu expert travels to a village where a martial arts contest is being held and vows to behead every one armed man he comes across.
Director Chang Cheh reunites the Five Venoms in his second biggest cult hit in the West. It's Lo Meng's most memorable performances whose showdown with fellow Venom Kuo Chue is artistically violent while being graphically artsy.
A Chinese man (Liu) marries a Japanese woman through an arranged marriage and manages to insult all of her Japanese martial arts family by issuing a challenge to her that is misinterpreted ... See full summary »
After defeating The Long-Armed Devil and his armies, our nubbed hero has been living in retirement as a farmer, but circumstances causes him to come out of retirement and take on The Eight Kings, each warrior with their own unique fighting style. The time has come for the one armed swordsman to return.Written by
Having never seen the sequel to The One-Armed Swordsman (1968), I was in for quite a shock. To put it simply, this is one of the best kung fu follow-ups I have ever seen. Knowing that the one-armed character is by this time firmly established (and a box office success), director Chang Cheh opts for full-blown action this time around. It is basically The Road Warrior (1981) to the first film's Mad Max (1979), pumping up the action quotient ten fold and rarely slowing down from beginning to end.
Sword fights come at you every five minutes or so, resulting in some amazingly bloody action. I had no idea that any kung fu film from the 60s was so bloody. This effect is remarkably enhanced by the use of palm squibs to send bloody flying and the heroes all white outfits. Another exciting aspect of the film (which would later become a Wang Yu staple) is the use of unorthodox weapons by the heavies. With eight super villains there is a lot of room for some creativity and Cheh and co. don't fail. My personal favorite is the sinister female demon that pulls any numbers of knives from under her flowing robe.
But it is not to say that the film abandons the dramatic aspects of the story. Cheh spends a decent amount of time focusing on Fang Gang's reflection of his violent ways, both past and present. Fang essentially wants to be left alone with his wife but, to employ an overused quote, every time he thinks he is out, they pull him back in. He is a complex character and it is good to his emotional complications played out on screen, especially after the final battle during a celebration. The relationship between Fang and his wife is also highlighted, with both Wang Yu and Chiao Chiao performing well.
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