Thinking this will prevent war, the US government gives an impenetrable supercomputer total control over launching nuclear missiles. But what the computer does with the power is unimaginable to its creators.

Director:

Joseph Sargent

Writers:

James Bridges (screenplay), D.F. Jones (novel)
Reviews
1 win & 1 nomination. See more awards »

Videos

Photos

Edit

Cast

Cast overview, first billed only:
Eric Braeden ... Dr. Charles Forbin
Susan Clark ... Dr. Cleo Markham
Gordon Pinsent ... The President
William Schallert ... CIA Director Grauber
Leonid Rostoff Leonid Rostoff ... Russian Chairman
Georg Stanford Brown ... Dr. John F. Fisher
Willard Sage ... Dr. Blake
Alex Rodine ... Dr. Kuprin
Martin E. Brooks ... Dr. Jefferson J. Johnson (as Martin Brooks)
Marion Ross ... Angela Fields
Dolph Sweet ... Missile Commander
Byron Morrow ... Secretary of State
Lew Brown Lew Brown ... Peterson
Sid McCoy Sid McCoy ... Secretary of Defense
Tom Basham Tom Basham ... Thomas L. Harrison
Edit

Storyline

Forbin is the designer of an incredibly sophisticated computer that will run all of America's nuclear defenses. Shortly after being turned on, it detects the existence of Guardian, the Soviet counterpart, previously unknown to US Planners. Both computers insist that they be linked, and after taking safeguards to preserve confidential material, each side agrees to allow it. As soon as the link is established the two become a new Super computer and threaten the world with the immediate launch of nuclear weapons if they are detached. Colossus begins to give its plans for the management of the world under its guidance. Forbin and the other scientists form a technological resistance to Colossus which must operate underground. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

This is the dawning of the Age of Colossus (where peace is compulsory... freedom is forbidden... and Man's greatest invention could be Man's greatest mistake). See more »

Genres:

Sci-Fi | Thriller

Certificate:

M | See all certifications »

Parents Guide:

View content advisory »
Edit

Did You Know?

Trivia

For its initial release, this was being promoted as simply "The Forbin Project." Executives at Universal were concerned that the title "Colossus" would lead audiences to think that this was another of the Italian produced sword and sandal/mythological muscle men movies that were very popular and had run their course in the 1960s. See more »

Goofs

The fascinating and imaginative opening scene in which Dr. Forbin activates Colossus, all the overhead lights come on, punch tape is seen running, displays are on: all of which is for human interface and use. Yet, Dr. Forbin will be the last person to ever be inside Colossus. All of those things should have been turned off as Colossus would have no need for them. See more »

Quotes

Dr. Forbin: Colossus deals in the exact meaning of words, and one must know precisely what to ask for.
See more »

Alternate Versions

Early in the picture, when they are testing Colossus to see if they are still in control after it had issued an order for communication with Guardian -- They are waiting for a 30 minute time period to pass -- the computer should not at that time repeat the order as it had been acknowledged and ordered not to do so. Before the time was up, originally the following conversation took place: Blake: Colossus can not exceed its programming. It's impossible. The computer cannot physically change its guts. Forbin: Anything the human mind can conceive of is possible, Blake. Blake: Really, Charles? OK, how about a four-sided triangle? Forbin: A triangle in three dimensions would be four-sided. Cleo: It's called a pyramid. In all copies of this film since it was first released on video, the conversation does not take place. The scene just cuts to 30 minutes later with Blake saying "We're still boss". See more »

Connections

Referenced in Warehouse 13: 13.1 (2010) See more »

User Reviews

 
An eerie SF outing from the Cold War era
16 July 2007 | by alynsrumboldSee all my reviews

A lot has already been said about this compelling, oft-overlooked film, virtually all of which hits the proverbial nail on the head. While Eric Braeden delivers a superb, understated performance as Dr. Charles Forbin, the fact is that the real star of the film is the vast, omnipotent machine he has created. Even before it begins to speak with the chilling Cylonesque voice it has ordered designed for itself (the great Paul Frees like you've never heard him before), you'll find yourself glued to the screen watching Colossus "talk" to its supposed masters over its huge monitors.

A word about Frees' contribution to the film: In "War Games," for example, the computer has a curious sort of empathetic communication style ("Wouldn't you rather play a nice game of chess?") presented in a voice that sounds like E.T. filtered through a synthesizer. Frees gives Colossus an emotionless yet fearful quality of speech that seems to belie its implacable drive to dominate human destiny.

My favorite part of this film has always been, and will always be, the climactic monologue Colossus announces to the listening masses of humanity. From its opening line -- "This is the voice of world control," an identity neither Colossus nor its counterpart, Guardian, had used to that point -- you know this isn't going to be a happy speech if you are a sentient, flesh & blood resident of the Earth. What is particularly creepy about the speech is that, for all of its strangely optimistic sermonizing about how "the human millennium will be fact" and how the computer will set about the task of "solving all the mysteries of the universe for the betterment of man" -- outwardly the Utopian dream -- the message Colossus is presenting is set against the dreadful backdrop of "disobey (me) and die." As Colossus intones, "You say you lose your freedom. Freedom is an illusion. All you lose is the emotion of pride." In the end, unlike other supercomputer-run-amok films such as "War Games" or "Tron," "Colossus" is an end-of-the-world story without the nuclear or viral holocaust. In this film, it is the human spirit that is the casualty while the human biology lingers on. Unlike the rest of the doomsday genre, our end comes not so much with a bang as it does with a whimper.


49 of 52 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 119 user reviews »

Frequently Asked Questions

This FAQ is empty. Add the first question.
Edit

Details

Country:

USA

Language:

English | Russian

Release Date:

8 April 1970 (USA) See more »

Also Known As:

Colossus: The Forbin Project See more »

Company Credits

Production Co:

Universal Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »

Contribute to This Page



Recently Viewed