Thinking this will prevent war, the US government gives an impenetrable supercomputer total control over launching nuclear missiles. But what the computer does with the power is unimaginable to its creators.
An otherworldly, beautiful female android travels in time while scientists try to understand her enigmatic secrets exploiting the occasions of her mysterious, rare appearances. Until she decides the right time to share her vision has come.
Desert ants suddenly form a collective intelligence and begin to wage war on the desert inhabitants. It is up to two scientists and a stray girl they rescue from the ants to destroy them. ... See full summary »
Forbin is the designer of an incredibly sophisticated computer that will run all of America's nuclear defenses. Shortly after being turned on, it detects the existence of Guardian, the Soviet counterpart, previously unknown to US Planners. Both computers insist that they be linked, and after taking safeguards to preserve confidential material, each side agrees to allow it. As soon as the link is established the two become a new Super computer and threaten the world with the immediate launch of nuclear weapons if they are detached. Colossus begins to give its plans for the management of the world under its guidance. Forbin and the other scientists form a technological resistance to Colossus which must operate underground.Written by
John Vogel <email@example.com>
When the executives at Control Data Corporation found out that Universal was planning a major movie featuring a computer, they saw their chance for some public exposure, and they agreed to supply, free of charge, $4.8 million worth of computer equipment and the technicians to oversee its use. Each piece of equipment carried the CDC name in a prominent location. Since they were using real computers - not just big boxes with a lot of flashing lights - the sound stage underwent extensive modifications: seven gas heaters and five specially-constructed dehumidifiers kept any dampness away from the computers, a climate control system maintained the air around the computers at an even temperature, and the equipment was covered up at all times except when actually on camera. Brink's guards were always present on the set, even at night. The studio technicians were not allowed to smoke or drink coffee anywhere near the computers. See more »
When the equations are scrolling past when Colossus and Guardian are "talking" to each other, you can see that they do not actually get ever more complex as the dialogue suggests. Instead, they repeat the same sequence of calculus and trig identities on a repeating loop. See more »
[after Colossus has described its plan of global domination to the world]
This concludes the broadcast from World Control.
See more »
Early in the picture, when they are testing Colossus to see if they are still in control after it had issued an order for communication with Guardian -- They are waiting for a 30 minute time period to pass -- the computer should not at that time repeat the order as it had been acknowledged and ordered not to do so. Before the time was up, originally the following conversation took place: Blake: Colossus can not exceed its programming. It's impossible. The computer cannot physically change its guts. Forbin: Anything the human mind can conceive of is possible, Blake. Blake: Really, Charles? OK, how about a four-sided triangle? Forbin: A triangle in three dimensions would be four-sided. Cleo: It's called a pyramid. In all copies of this film since it was first released on video, the conversation does not take place. The scene just cuts to 30 minutes later with Blake saying "We're still boss". See more »
This underrated science fiction/suspense drama, though arguably dated in terms of technology, is still a frightening allegory about humans allowing our technological creations to rule us.
Eric Braeden stars as Dr. Charles Forbin, who has created a supercomputer named Colossus, built solely for the purpose of controlling the nuclear defenses of the Western alliance. It isn't too long after, however, that the Russians announce that they too have built a similar computer for those same purposes on their side--Guardian. And when the two machines begin sharing information at a speed nobody can believe, an attempt is made to disable them.
This unfortunately just raises the machines' ire; and in retaliation, they launch their weapons at each other's home nations. The result is a chilling scenario that is potentially becoming all too real these days.
COLOSSUS: THE FORBIN PROJECT was not a big hit at the box office for various reasons. One is that its cast wasn't exactly well known. Another reason is that its ending isn't exactly a happy one. Still a third reason is that Universal had trouble trying to promote it in the wake of the huge success of Stanley Kubrick's 2001: A SPACE ODYSSEY. The latter reason is obvious: Colossus and Guardian, like HAL in the Kubrick movie, become central characters here. The difference here is that while HAL malfunctions due to a programming conflict, Colossus and Guardian remain all too stable, convinced beyond a doubt that they know how to protect Mankind better than Man himself. As the computers point out: "One inevitable rule is that Mankind is his own worst enemy."
Joseph Sargent's direction is efficient, and the special effects work of Albert Whitlock still manages to work despite its obvious age. An overlooked gem in the sci-fi genre, this should be given a revival.
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