Thinking this will prevent war, the US government gives an impenetrable supercomputer total control over launching nuclear missiles. But what the computer does with the power is unimaginable to its creators.
An otherworldly, beautiful female android travels in time while scientists try to understand her enigmatic secrets exploiting the occasions of her mysterious, rare appearances. Until she decides the right time to share her vision has come.
Desert ants suddenly form a collective intelligence and begin to wage war on the desert inhabitants. It is up to two scientists and a stray girl they rescue from the ants to destroy them. ... See full summary »
On the march for progress, mankind kept wasting plenty of natural resources underground, water and energy, polluting the environment without analyzing the losses and problems human beings ... See full summary »
Forbin is the designer of an incredibly sophisticated computer that will run all of America's nuclear defenses. Shortly after being turned on, it detects the existence of Guardian, the Soviet counterpart, previously unknown to US Planners. Both computers insist that they be linked, and after taking safeguards to preserve confidential material, each side agrees to allow it. As soon as the link is established the two become a new Super computer and threaten the world with the immediate launch of nuclear weapons if they are detached. Colossus begins to give its plans for the management of the world under its guidance. Forbin and the other scientists form a technological resistance to Colossus which must operate underground.Written by
John Vogel <firstname.lastname@example.org>
Universal later reused the footage of Colussus being activated as part of Cyborg: The Six Million Dollar Man. Before they begin operating on Steve Austin to attach his bionic limbs, the entire activation sequence from Colossus is used. See more »
When the helicopter lands on Isla Tiberina Roma in Rome, Italy, and the door opens, reflections of set lighting can briefly be seen on the Plexiglas window panels. See more »
We can coexist, but only on my terms. You will say you lose your freedom, freedom is an illusion. All you lose is the emotion of pride. To be dominated by me is not as bad for human pride as to be dominated by others of your species.
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In versions shown on US broadcast television, the dialogue between Dr. Forbin and Colossus (the computer), concerning his need for sex, is edited. The lines cut are: Colossus (text on display screen): "HOW MANY NIGHTS A WEEK DO YOU REQUIRE A WOMAN?" Forbin: "Every night." Colossus: "NOT WANT. REQUIRE." Forbin: "Four times." See more »
A lot has already been said about this compelling, oft-overlooked film, virtually all of which hits the proverbial nail on the head. While Eric Braeden delivers a superb, understated performance as Dr. Charles Forbin, the fact is that the real star of the film is the vast, omnipotent machine he has created. Even before it begins to speak with the chilling Cylonesque voice it has ordered designed for itself (the great Paul Frees like you've never heard him before), you'll find yourself glued to the screen watching Colossus "talk" to its supposed masters over its huge monitors.
A word about Frees' contribution to the film: In "War Games," for example, the computer has a curious sort of empathetic communication style ("Wouldn't you rather play a nice game of chess?") presented in a voice that sounds like E.T. filtered through a synthesizer. Frees gives Colossus an emotionless yet fearful quality of speech that seems to belie its implacable drive to dominate human destiny.
My favorite part of this film has always been, and will always be, the climactic monologue Colossus announces to the listening masses of humanity. From its opening line -- "This is the voice of world control," an identity neither Colossus nor its counterpart, Guardian, had used to that point -- you know this isn't going to be a happy speech if you are a sentient, flesh & blood resident of the Earth. What is particularly creepy about the speech is that, for all of its strangely optimistic sermonizing about how "the human millennium will be fact" and how the computer will set about the task of "solving all the mysteries of the universe for the betterment of man" -- outwardly the Utopian dream -- the message Colossus is presenting is set against the dreadful backdrop of "disobey (me) and die." As Colossus intones, "You say you lose your freedom. Freedom is an illusion. All you lose is the emotion of pride." In the end, unlike other supercomputer-run-amok films such as "War Games" or "Tron," "Colossus" is an end-of-the-world story without the nuclear or viral holocaust. In this film, it is the human spirit that is the casualty while the human biology lingers on. Unlike the rest of the doomsday genre, our end comes not so much with a bang as it does with a whimper.
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