During the Rif War in Morocco, the French Foreign Legion's outpost of Tarfa is threatened by Khalif Hussein's tribes but Sergeant Mike Kincaid devises a plan of survival until the arrival of French reinforcements.
To share expenses unemployed Alabama move in with also unemployed Bill and Toodles. Bill is hired by a gangster's mistress and ultimately becomes the gangster's bodyguard. Alabama ... See full summary »
Alfred E. Green
Douglas Fairbanks Jr.,
Newspaperman Bill Bradford becomes a special agent for the tax service trying to end the career of racketeer Alexander Carston. Julie Gardner is Carston's bookkeeper. Bradford enters ... See full summary »
Toward the end of World War II, a small company of American GI's occupy an ancient castle. Their commander has an affair with the countess in resident. One guy falls in love with a Volkswagon. A baker among them moves in with another baker's wife. A group of shell shocked holy rollers wander the bombed out streets. A GI art historian tries vainly to protect the castle and its masterpieces.Written by
Jim Sadur <firstname.lastname@example.org>
Sidney Pollack confessed that the shooting took too long to complete, which meant that warm weather began to melt the snow. The crew also became very erratic because of this shooting where actors had to act in hot summer as if it were in deep winter. See more »
The soldiers refer to the car as a "Volkswagen", a name which some viewers believe was not given to the car until after World War Two. However, on 28 May 1937, the Gesellschaft zur Vorbereitung des Deutschen Volkswagens mbH was established by the Deutsche Arbeitsfront. It was later renamed "Volkswagenwerk GmbH" on 16 September 1938. It is not clear whether the GI's would have easily recognized the car, but any German would have readily recognized it as a Volkswagen during the war. See more »
I was introduced to this film a few years after it's making. It was, as many previous reviewers have mentioned, a far from stereotypical portrayal of war! As one who was born immediately after the war, and subsequently raised on the real horror of that event, I was captivated by the lack of "Hollywood" in the production. I will always remember the scenes in the bakery. Whatever the horror of the immediate environment the need to survive and maintain our basic needs transcends the bestiality of the moment. The person that introduced me to the film had had some correspondence with the Director. He was reportedly bemused by his enthusiasm! I think he'd made a masterpiece?
Personally I would suggest that the 'subtlety' of it's observation of it's subject matter in the era of `The Green Beret' will make it a viewing `must' for followers of the genre for decades to come!
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