A child of the sixties sexual revolution, beautiful, sensuous Marguerite is addicted to sex and money. She is kept by a wealthy man, has a string of young lovers and hosts wild orgies in ...
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A jaded, wealthy couple watch a blue movie in their castle home along with her adult son. The son is testy, so they go into town and watch a circus-like thrill ride. The daredevil woman in ... See full summary »
Tinto Brass - The maestro of Italian erotica is back! Lies, subterfuge, betrayal and mischief - FALLO! is a collection of six stories based on the joys of sexuality and the eroticism of a new generation of women.
William De Vito
This kicks off with the murder of one Adolf Schwartz (who bears a striking resemblance to another famous Adolf) by placing a ravenous piranha fish in his bathtub. Who did it? No-one knows ... See full summary »
A sexy temptress no man can resist and a local police officer who falls hard for her become embroiled in a complicated intrigue of passion and jealousy in Radley Metzger's boldly original erotic update of the opera Carmen.
In Paris, the City of Love, Garance can be found each night on the Champs-Elysees, or in a small bistro. This evening, Garance will entertain a shy young student, a hot-headed sadist, and an older gentleman.
A child of the sixties sexual revolution, beautiful, sensuous Marguerite is addicted to sex and money. She is kept by a wealthy man, has a string of young lovers and hosts wild orgies in her luxurious villa. When she falls in love with the handsome bachelor Armand (Nino Castelnuova), he insists on absolute fidelity. Known by her reputation, Armand's controlling father soon intervenes, triggering a tragic turn of events.Written by
The other comments I have read all seem accurate to me (except I don't think Maguerite is necessarily an aristocrat, but the poor protege of one). The innocent nudity, the gorgeous photography and glamorous Roman locations, the capturing of a moment of social freedom in the sixties, are all superb. Although the director has a reputation for making exploitation films, at least in the year 2000 it doesn't seem to me that this film qualifies as one, since the nudity, sex and drugs are relatively tame, and the film now reads as a serious dramatic effort, at least to me.
What I found fascinating about the film was the portrayal of the progress of the emotional relationship of Armand and Marguerite- it covers how they met, love won and lost several times, their emotional conflicts and life choices as a result of their feelings for each other. In this it seems to me highly realistic, perceptive and insightful. It captures the emotional life of the very wealthy, young and beautiful elite- joy, confusion, hedonism, love and also despair.
It follows the evolution of the relationship in such detail that, at times, I found the film dragging a bit, but this was a minor problem for me compared to the joy of seeing such a deep exploration of their relationship. Instead of the single roller-coaster ride of snipped-down Hollywood fare, we enter fully into another world by dwelling there through several different plot climaxes.
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