In an atmosphere of political tension when the French still control Algiers, an Algerian is killed on the beach and a French man who has lived in Algiers all his life is arrested for the ... See full summary »
The power and fortune of the Von Essenbeck family remained intact even when Germany lost the great war and during the depression that followed. Now it's 1934 and the baron has summoned his family to a dinner that also brings a cousin rising in the Nazi party to the great house accompanied by a rising manager at the baron's company. Two little girls recite poetry in the parlor and then play hide-and-seek with their cousin Martin. Suddenly there is a scream. The baron has been shot with their father's gun and the father flees the country.Written by
Dale O'Connor <firstname.lastname@example.org>
Finnish censorship certificate register # 78047 delivered on 3-11-1969. See more »
In the massacre scene of SA men, the SS are shown using MP-38 sub-machine guns. However the movie is set in 1934, 4 years before the MP-38 were in production for the German armed forces. See more »
[showing Sophie the Gestapo's secret file room]
These are the most complete archives ever conceived. This is the secret Germany. Nothing is lacking. You can even find your history and Frederick's. Can you believe it? You see it's not very difficult to enter into the lives of people. Every German citizen today is potentially one of our informers. The collective thinking of our people is now complete. Don't you think that is the true miracle of the Third Reich?... If you wish, we could read ...
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When "The Damned" was first acquired by CBS for its premiere TV broadcast in the early 1970s, so many cuts were required to meet the much stricter (at the time) network censor guidelines that one CBS executive joked that the movie should be retitled "The Darned". This heavily cut print was shown numerous times during the early and mid-1970's. See more »
This really is Luchino Visconti's magnum opus - The Damned is an utterly engrossing work of art that grabs you from the start and doesn't relinquish its grip until the final frames. The accents from the international cast takes a little getting used to - the soundtrack is in English (some sync sound, some dubbed) and Dirk Bogarde's refined English accent doesn't really suit the part of a German industrialist at first but once you get used to these incongruities the cast seems perfect! The cinematography is beautiful, capturing the decaying elegance perfectly. The score by Maurice Jarre adds to the atmosphere nicely even if it is a little reminiscent of Dr Zhivago. The film's themes are quite challenging and sometimes uncomfortable to watch but it's always compelling and absorbing even at 2 hours 35 minutes.
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