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The Damned (1969)

La caduta degli dei (Götterdämmerung) (original title)
R | | Drama, War | 18 December 1969 (USA)
The dramatic collapse of a wealthy, industrialist/Junker family during the reign of the Third Reich.

Director:

Luchino Visconti

Writers:

Nicola Badalucco (story and screenplay), Enrico Medioli (story and screenplay) | 1 more credit »
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Nominated for 1 Oscar. Another 5 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
Dirk Bogarde ... Friedrich Bruckmann
Ingrid Thulin ... Baroness Sophie Von Essenbeck
Helmut Griem ... Aschenbach
Helmut Berger ... Martin Von Essenbeck
Renaud Verley ... Günther Von Essenbeck
Umberto Orsini ... Herbert Thallman
Reinhard Kolldehoff ... Baron Konstantin Von Essenbeck (as René Koldehoff)
Albrecht Schoenhals ... Baron Joachim Von Essenbeck (as Albrecht Schönhals)
Florinda Bolkan ... Olga
Nora Ricci ... Governess
Charlotte Rampling ... Elisabeth Thallman
Irina Wanka Irina Wanka ... Lisa Keller
Karin Mittendorf Karin Mittendorf ... Thilde Thallman
Valentina Ricci Valentina Ricci ... Erika Thalman
Wolfgang Hillinger Wolfgang Hillinger ... Janek
Edit

Storyline

The power and fortune of the Von Essenbeck family remained intact even when Germany lost the great war and during the depression that followed. Now it's 1934 and the baron has summoned his family to a dinner that also brings a cousin rising in the Nazi party to the great house accompanied by a rising manager at the baron's company. Two little girls recite poetry in the parlor and then play hide-and-seek with their cousin Martin. Suddenly there is a scream. The baron has been shot with their father's gun and the father flees the country. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Add Synopsis

Taglines:

He was to become the second most powerful man in Nazi Germany.

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated R for violence, nudity and aberrant sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | West Germany

Language:

Italian | German

Release Date:

18 December 1969 (USA) See more »

Also Known As:

Luchino Visconti's The Damned See more »

Filming Locations:

Germany See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

French censorship certificate #36763 See more »

Goofs

The film opens on the night of the Reichstag Fire (27 February 1933). However, later that night (or early the next morning) the police inspector investigating the murder of Joachim, in dictating a report to a secretary, gives the date as 18 February 1933. See more »

Quotes

Martin Von Essenbeck: You give him everything, everything that belongs to me - my factory, my money, my house, brick-by-brick! Even my name and your love! You're the worst, so it's you I hate! You can't imagine the evil I wish you!
See more »

Alternate Versions

When "The Damned" was first acquired by CBS for its premiere TV broadcast in the early 1970s, so many cuts were required to meet the much stricter (at the time) network censor guidelines that one CBS executive joked that the movie should be retitled "The Darned". This heavily cut print was shown numerous times during the early and mid-1970's. See more »

Connections

Featured in Homo Promo (1991) See more »

Soundtracks

Kinder, heut' abend, da such ich mir was aus
(uncredited)
Performed by Helmut Berger
Music by Friedrich Hollaender
Lyrics by Robert Liebmann
See more »

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User Reviews

Luchino goes slumming
10 August 2007 | by JoeytheBritSee all my reviews

Visconti's bizarre examination of a powerful and wealthy family whose downfall both parallels the rise and foreshadows the fall of the Third Reich is never less than entertaining, it has to be said. Certainly not to the tastes of all, it seems to revel in the decadence and debauchery it portrays in much the same way a tabloid paper feels it has to publish dozens of photographs of the pornography it pretends to condemn. Look how depraved these incestuous cross-dressing Nazis were; apart from one pious voice the whole nation, it seems, is condemned with one broad stroke and we are given no contrast against which to compare such depravity.

The characters of the Von Essenbach family are each representative of a facet of 30s German character, all joined in a desire for power or the need to be protected beneath its wing, prone to making strident and unyielding demands and dismissing the rights of those who stand in their way. This leaves us with a morally repugnant lot, none of whom we can empathise with, and also tempts the cast to overact at times. Ingrid Thulin is particularly guilty, and even the usually laconic Dirk Bogarde becomes overwrought at times.

For all these faults, the film is shamelessly entertaining and fascinating to watch. It plays like a Shakespearian tragedy at times, and you feel compelled to see it through to the end just to find out the fate of each character.


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