In an atmosphere of political tension when the French still control Algiers, an Algerian is killed on the beach and a French man who has lived in Algiers all his life is arrested for the ... See full summary »
The power and fortune of the Von Essenbeck family remained intact even when Germany lost World War I, and during the depression that followed. Now it's 1934, and the baron has summoned his family to a dinner that also brings a cousin rising in the Nazi party to the great house accompanied by a rising manager at the baron's company. Two little girls recite poetry in the parlor and then play hide-and-seek with their cousin Martin (Helmut Berger). Suddenly there is a scream. The baron has been shot with their father's gun and the father flees the country.Written by
Dale O'Connor <firstname.lastname@example.org>
Footage shot during the "Night of the Long Knives" sequence but never shown previously in the United States is restored in the 2004 DVD release. It is in subtitled German and expands the running time to two hours and thirty-six minutes. See more »
The film is set between 1933-1934, yet most of the insignia and badges, shown worn on the German military and Nazi Party uniforms, were not invented until after 1938. See more »
When "The Damned" was first acquired by CBS for its premiere TV broadcast in the early 1970s, so many cuts were required to meet the much stricter (at the time) network censor guidelines that one CBS executive joked that the movie should be retitled "The Darned". This heavily cut print was shown numerous times during the early and mid-1970's. See more »
This really is Luchino Visconti's magnum opus - The Damned is an utterly engrossing work of art that grabs you from the start and doesn't relinquish its grip until the final frames. The accents from the international cast takes a little getting used to - the soundtrack is in English (some sync sound, some dubbed) and Dirk Bogarde's refined English accent doesn't really suit the part of a German industrialist at first but once you get used to these incongruities the cast seems perfect! The cinematography is beautiful, capturing the decaying elegance perfectly. The score by Maurice Jarre adds to the atmosphere nicely even if it is a little reminiscent of Dr Zhivago. The film's themes are quite challenging and sometimes uncomfortable to watch but it's always compelling and absorbing even at 2 hours 35 minutes.
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