George Matthews is a young man who is having a bittersweet affair with a French divorcée in Los Angeles. Waiting to be drafted, he is unable to commit himself to anything or anybody, ... See full summary »
Gold bullion worth USD 1 billion has been stolen from a hijacked train in Denmark. The main suspect is Count Massimo Contini. The US government sends Matt Helm, one of its top agents, to investigate and recover the gold.
In a hot and politically challenged Kairo actress Aida and her neighbor, the aging diva Samiha, is thrown out on the streets. Together with the street smart Yassin they try to find a place to live, forcing them to confront with their past.
Toni Simmons believes that the only reason her married lover won't leave his wife is because of the children. In truth, her lover, dentist Julian Winston, doesn't have any children. In fact, Julian doesn't even have a wife - he just tells women he does to avoid getting involved. When Julian does decide to take the plunge with Toni she insists on meeting the first wife and Julian enlists the aid of his long-time nurse/receptionist Stephanie Dickinson to play the part.Written by
The role of Julian Winston was originated on Broadway by Barry Nelson, who was renowned in theater circles for his uncanny ability to 'freeze' a performance following a show's opening and play it exactly the same, beat for beat, for the duration of the run. This was especially evident when he was cast in a comedy, as he was able to garner laughs in the same places, performance after performance, even when the vehicle ran several years, as was the case with "Cactus Flower." See more »
Before Toni turns on the gas, she raises the top of the stove and blows out the pilot lights. But she doesn't blow out the pilot light for the oven. She then turns on the oven and all the burners. The oven would have come on and Toni would have noticed, or if she hadn't noticed then there would have been an explosion. See more »
This film has not exactly remained fresh in the minds of film buffs, and it's a crying shame. Its witty screenplay adaptation should have netted Oscar nominations for the great screenwriter I.A.L. Diamond's adaptation, and Ingrid Bergman's flawless performance. It must have been an honor for Goldie Hawn at such a young age to work with Bergman, looking more than a decade younger than her 54 years--fifty four! When she's on the screen, it positively twinkles.
This is a film which may appear dated at first, but it actually made me wish I was around during the swingin' 'sixties. Hawn's fashions are as tacky as Bergman's are chic. (That's one minor flaw--isn't her character a little too soignée for a gal who still lives with her sister? But then again, would we have Ingrid any other way?) And who wouldn't want to hang out at a nightclub called The Slipped Disc?
The best compliments I can pay to this film is that it somehow made me nostalgic for a decade that I never saw, and that it left me wanting more. Speaking of wanting more, I wonder what ever became of sexy supporting actor Rick Lenz? (He resembles Griffin Dunne in this film.) This was his film debut, and I don't see any other major roles in his filmography. As for Goldie Hawn, she's done so much since then it's easy to not be impressed, but I can't imagine any other actor in the role, either.
Since the movie is based on a play, the line delivery may seem a bit stage-y, but it did not inhibit my enjoyment at all. In fact, I am amazed at how funny it still is after over thirty-five years. Because this film represents a bygone era, it has unjustly slipped from the consciousness of film buffs. It is more linked to the era films that came before it than the ones that followed. But don't let that stop you from savoring the delights it has to offer. Grade: A
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