Story of a young woman, Mrs. McBain, who moves from New Orleans to frontier Utah, on the very edge of the American West. She arrives to find her new husband and family slaughtered, but by whom? The prime suspect, coffee-lover Cheyenne, befriends her and offers to go after the real killer, assassin gang leader Frank, in her honor. He is accompanied by Harmonica, a man already on a quest to get even.Written by
DrGoodBeat / edited by statmanjeff
This was the first feature to involve Sergio Leone's newly formed company, Rafran, which was named after his two daughters, Raffaella and Francesca. The two young girls appear, uncredited, at the Flagstone station. See more »
When Frank rides to meet Harmonica for the showdown, he is riding on a white horse, a minute later the horse changes color and is a dapple gray color. See more »
Cattle Corner Station Agent:
Hey. Hey-hey-hey-hey, if you want any tickets, you'll have to go around, eh, to, eh, the front of, eh, eh... oooh, well, I s'pose it'll be all right. The hell am *I* doin' around here if they walk in and can do as they damn please?
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Lionel Stander receives on screen credit in the original U.S. theatre release prints even though his part was completely cut out of this shortened version. See more »
The 2003 Paramount DVD 2-disc release called the "Special Collector's Edition" used the altered ending score (over the end credits) for both the English 5.1 Surround track and what is listed as the "English Restored Mono" track. See more »
Without a doubt, one of the best Westerns of all time
I won't claim to have the ability to say anything new about this movie. It's been around for nearly fifty years, and is widely regarded as not just one the best Spaghetti Westerns of all time, but one of the best Westerns full stop. And it's not hard to see why: an incredible soundtrack, strong performances from the entire main cast, some surprisingly good humour and funny one-liners, a few tense sequences, a well-told story that doesn't rely on excessive dialogue or exposition, and consistently amazing cinematography and direction throughout. At least half the frames in this movie would probably make good paintings- no exaggeration.
It's probably the marriage of the great visuals and soundtrack that make Once Upon a Time in the West work as well as it does. There's a good number of dramatic camera movements and interesting reveals that are tied up perfectly with the music- almost like some kind of singing-free musical at some points.
Sergio Leone was one of the greatest directors of all time. It's a real shame that he apparently never got the kind of recognition he gets nowadays while he was still alive. Out of all his films, there's a strong argument to be made for this one being the closest to perfect. Honestly, there's not a lot that could be changed to make it better. My biggest direct gripe is the way the title pops up at the very end of the film, and rotates in a full circle before it disappears. It looks really cheesy, and comes close to killing the mood the otherwise extremely strong ending creates. While we're on complaints, another minor one would be that I want to say the film feels a little too long- maybe about 10 to 15 minutes. But at the same time, I wouldn't really know what to cut. Every scene is so well-constructed and orchestrated, and there's always something interesting to look at or listen to or think about, so I'm not really sure what should be cut. It's a pretty weak complaint, I know. Like I said, this thing's close to perfect.
The Good The Bad and The Ugly might be a tiny bit more entertaining, and Once Upon a Time in America might have a slightly better soundtrack and stronger emotional moments (for me, personally), but it's still really hard to find much to complain about here. Absolutely recommended to any Western fan, and it gets a little better every time I watch it (four for me now, and counting).
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