Retired Old West gunslinger William Munny (Clint Eastwood) reluctantly takes on one last job, with the help of his old partner Ned Logan (Morgan Freeman) and a young man, The "Schofield Kid" (Jaimz Woolvett).
Jill McBain travels to the wild frontier; Utah - where she and her new husband planned to settle down. Upon arrival, she finds him and his children dead. There's a lot of land, and potential, but there's those who want to take it - at any cost. Even if it means killing a man and his kids.Written by
DrGoodBeat / edited by statmanjeff
Cheyenne's real name was Manuel Gutierrez, according to the script. Sergio Leone didn't feel that Jason Robards made a convincing Mexican, so he dropped this. See more »
When Frank rides to meet Harmonica for the showdown, he is riding on a white horse, a minute later the horse changes color and is a dapple gray color. See more »
Cattle Corner Station Agent:
Hey. Hey-hey-hey-hey, if you want any tickets, you'll have to go around, eh, to, eh, the front of, eh, eh... oooh, well, I s'pose it'll be all right. The hell am *I* doin' around here if they walk in and can do as they damn please?
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Lionel Stander receives on screen credit in the original U.S. theatre release prints even though his part was completely cut out of this shortened version. See more »
The original 1969 UK cinema release was rated 'A' (the equivalent of today's PG certificate) by the BBFC after editing the bed scene between Frank and Jill and removing his line "You also like feeling a man's hand all over your body, even if they're the hands of the man that killed your husband". The line was restored for all later releases. See more »
It doesn't get any better than this: this is movie history
This one only gets better with each viewing. Leone's masterful storytelling and Morricone's crazy, beautiful, epic soundtrack; desperate, haunted faces which look like the barren landscapes the story is set in and a plot that unfolds with impeccable pacing to culminate in THE ultimate western finale.
As in Leone's previous films, music isn't just used to add to the atmosphere but is essential to the story, or perhaps even more: Morricone's main musical theme plays the actual role of a (or rather: the) protagonist in the film.
Anyone who thought that the so called "Spaghetti westerns" were nothing but cheap, violent B-movies had to reconsider after seeing this film. It doesn't get any better than this: this is movie history; iconic, classic, unforgettable, epic. For this film, I just run out of superlatives.