Wyoming, early 1900s. Butch Cassidy and The Sundance Kid are the leaders of a band of outlaws. After a train robbery goes wrong they find themselves on the run with a posse hard on their heels. Their solution - escape to Bolivia.
After settling his differences with a Japanese P.O.W. camp commander, a British Colonel co-operates to oversee his men's construction of a railway bridge for their captors, while oblivious to a plan by the Allies to destroy it.
Butch and Sundance are the two leaders of the Hole-in-the-Wall Gang. Butch is all ideas, Sundance is all action and skill. The west is becoming civilized, and when Butch and Sundance rob a train once too often, a special posse begins trailing them no matter where they run. Over rocks, through towns, across rivers, the group is always just behind them. When they finally escape through sheer luck, Butch has another idea, "Let's go to Bolivia". Based on the exploits of the historical characters.Written by
John Vogel <email@example.com>
This movie was filmed roughly the same time as Hello, Dolly! (1969), on the soundstage next door. Director George Roy Hill believed that the studio would allow him to film the New York City scenes on "Dolly's" sets, since the two films' daily shooting schedules were totally different. After production started, though, the studio informed him that it wanted to keep the sets for "Dolly" a secret, and so refused him permission. To work around this, Hill had Robert Redford, Paul Newman, and Katharine Ross simply pose on the sets and took photos of them. He then inserted images of the three stars into a series of three hundred actual period photos and spliced the two different sets (real and posed) together to form the New York City montage. See more »
When Sundance jumps onto the train near the beginning of the film, and makes his way towards the locomotive, it is obvious that a stunt double jumps into the coal car and Robert Redford emerges - not enough time elapses from the point at which the double disappears behind the coal until the point that Redford rises up from the coal at a different position. See more »
The opening 20th Century-Fox logo is shown in sepia tone instead of the usual color scheme. See more »
During the 27-minute super posse chase, Butch and Sundance dismount and separate from their lone horse, start scaling rocky terrain to evade their pursuers. Butch asks, "What if they don't follow the horse?". Sundance: "Don't worry, Butch, you'll think of something." Originally Butch retorts, "That's a load off my mind." That line was kept in the movie right through the mid-'70s until it was broadcast on network TV (1976). For some reason it was omitted and has remained absent through every TV, cable, video, laserdisc and previous DVD release. It was reinstated back into the 2006 "Ultimate Collector's Edition" DVD and viewers are treated to it for the first time in 30 years. See more »
"Butch Cassidy and the Sundance Kid" is rightfully hailed as one of the greatest westerns ever made, although much of the movie takes place in South America. It is a great look at two likeable outlaws, full of witty dialogue and exciting action sequences.
Butch Cassidy (Paul Newman) and The Sundance Kid (Robert Redford) are two bank robbers, chased by the law. The plot follows them as they travel to Bolivia after a railroad president hires a posse to hunt them do. The story is mostly composed of short pieces telling a little story about them. There is really no connection all the way through, for the most part.
The story isn't about the plot, however. It is about Butch Cassidy and the Sundance Kid. It is a close look at two criminals, the talented Sundance Kid, and Butch Cassidy, the one who does all the thinking. The charisma and screen presence of the two actors and the way they work together is what drives the film. Watching the two interact, with a superb script full of great dialogue, is what makes this movie so exciting.
See this movie if you are a fan of westerns, or just a fan of good movies. It is exciting, superbly made (with lots of interesting silent scenes to music and montages of photographs), but it also has a lot of depth.
**** out of ****
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