Wyoming, early 1900s. Butch Cassidy and The Sundance Kid are the leaders of a band of outlaws. After a train robbery goes wrong they find themselves on the run with a posse hard on their heals. Their solution - escape to Bolivia.
After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Butch and Sundance are the two leaders of the Hole-in-the-Wall Gang. Butch is all ideas, Sundance is all action and skill. The west is becoming civilized, and when Butch and Sundance rob a train once too often, a special posse begins trailing them no matter where they run. Over rocks, through towns, across rivers, the group is always just behind them. When they finally escape through sheer luck, Butch has another idea, "Let's go to Bolivia". Based on the exploits of the historical characters. Written by
John Vogel <firstname.lastname@example.org>
Butch Cassidy and the Sundance Kid: A post modern Western
George Roy Hill's funny Western is still modern and hasn't aged bad at all. Paul Newman is charming and charismatic, and Robert Redford is energetic. I don't know why some Western-fans doesn't like it because it is filled with powerful and spectacular gunfights, humor, friendship and beautiful pictures - which is the reasons why you watch Westerns, isn't it? I am fully aware of the fact that 'Butch Cassidy and the Sundance Kid' was an unusual Western when it came. After this there were other attempts or experiments made like this but I don't think that they succeeded. 'Butch Cassidy and the Sundance Kid' has also the rare ability to even smell, taste or feel classic when you watch it ... Robert Redford was never better than here.
Rating: 9 of 10.
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