The Conspiracy of Torture

While Lucio Fulci considered Zombie Flesh Eaters and The Beyond the two films that forever catapulted him to cult film stardom, there were two films at the start of his career that he considered his best all-round work: Don't Torture a Duckling, and this.

And it's easy to see why - 'Beatrice Cenci' (aka The Conspiracy of Torture) is arguably his most mature effort: a fact-based historical drama laced with revenge, politics, and a touch of religion; a film which, going by release date, belies its position in the director's filmography.

Set in 1599, the story is told mainly through flashbacks of how Beatrice Cenci plotted the murder of her abusive father with the aid of her stepmother and lover.

It's rare when a Fulci film contains a story that takes priority over violence, but it's refreshing. There's no gratuitous gore on display here, just brutal, historically accurate torture methods. It's also thematically satisfying, with love servicing the narrative well, particularly when accompanied by a poignant score to bolster its impact in the latter stages.

It might take its time to grip you, but once it does, 'Beatrice Cenci' proves to be a compelling effort from the soon-to-be-labelled Godfather of Gore, with strong direction, solid performances, and great camera work making for an impactful historical drama.

8/10.

Those expecting a typical horror movie will be disappointed, as the horror depicted here is the Catholic Church's use of torture in the Middle Ages, and their greed. Fulci doesn't flinch from presenting the evil that was the church in that time.

Those who do not like period pieces may find this film dull, but Fulci does a great job producing a work that is both beautiful and interesting.

Adrienne Larussa was beautiful and did a very good job as the title character. Her father, played by Georges Wilson, was an evil man who kept her locked up. Wilson does a very good job portraying someone you really want to see die.

You have to love a strong determined woman. Even in the face of torture by the church, she remained strong.

Definitely not a movie for faithful Catholics.

I have to say that a lot of effort and great work has gone into producing such a fine Blu-ray print. I once tried to watch this some time ago and it was just too washed out but this is wonderfully sharp and colourful - a real treat for the eyes. Trouble is I must have lost concentration now and again what with all the Latin, the religious ceremony and the general historic recreations, for I seemed to miss the back and forth time lapses and got terribly confused. Got the lengthy torture scenes loud and clear and eventually caught up but this is not an obvious pleasure but certainly a magnificent looking number for Fulci completists.

This is further evidence that Lucio Fulci was a man of many talents before becoming bitter at diminishing budgets and the pigeonholing of his skills into gory horror. Here, Fulci gives us a historical drama about the corruption of the Catholic church (and not for the last time!) as well as the hypocrisy of Roman nobility, It's gory and horrible too, but in a dramatic, historical way!

Beatrice Cenci is the daughter of Francesco Cenci, a Roman nobleman whom we first see feeding a man to a pack of dogs. He's a nasty bastard all right, and has done something to offend the current Pope and now has to make amends by giving up a third of his wealth. His children all hate him, even Beatrice, who has petitioned the Pope behind his back in order to enter the church as a nun. This breaks the heart of her lover, Vassal Tomas Milian, but he still remains loyal and goes with her wishes.

However, while celebrating the death by smallpox of his two eldest sons(!), Francesco finds out about Beatrice wanting to join the church and arranges instead to keep her captive in the basement of his tower until he dies…which seems to happen almost immediately after he says that. As the film jumps back and forth on the timeline, we don't get to see what happened right away, which allows the Catholic Church to hire medieval Colombo to sort the mystery out! Should that be D'catolic choich?

Yes, the film is gory and full of violence and torture, but I think this only goes to show how awful human beings actually are and how corrupt the Catholic Church were back then. Folks are put on racks, burned with tongs, and one character foreshadows many a future Fulci film by having a huge nail rammed into his eye. That said, the film is not cheap looking and it's all deadly serious. Everything looks exactly like a Fulci film too – no matter how cheap his films became in the late eighties, they still retained that certain look.

Tomas Milian stands out here as the repressed, subdued servant which had me worrying if he would ever do his 'covered in filth, screaming' bit (it happens about an hour in). It's depressing stuff, but it's also interesting to see these directors working in different fields. I'm not watching any of his comedies however, although I do like the title The Senator Liked Woman's Bottoms.

I read the 12 reviews (at this time), and not much to add really. It really feels like the 16th century. There is something special about the detail put in to the costumes and set designs. The acting is really 1st class, and Fulci really works them to get convincing performances. The story line deserves a lot of credit, this being a 1969 flick. Its non-linear structure is maximised to full effect. Sadly its literally unheard of, despite coming out 2 years before The Devils (1971). Would have thought the controversial content, would have at least have kept it in the spot light over the years. Its a fine period piece, and I can see why Fulci was proud of it.