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Army of Shadows (1969)

L'armée des ombres (original title)
Not Rated | | Drama, War | 12 September 1969 (France)
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An account of underground resistance fighters in Nazi-occupied France.

Writers:

Joseph Kessel (novel), Jean-Pierre Melville (adaptation)
4 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Lino Ventura ... Philippe Gerbier
Paul Meurisse ... Luc Jardie
Jean-Pierre Cassel ... Jean François Jardie
Simone Signoret ... Mathilde
Claude Mann Claude Mann ... Claude Ullmann dit 'Le Masque'
Paul Crauchet ... Felix Lepercq
Christian Barbier Christian Barbier ... Guillaume Vermersch dit 'Le Bison'
Serge Reggiani ... The hairdresser
André Dewavrin André Dewavrin ... Colonel Passy
Alain Dekok Alain Dekok ... Legrain
Alain Mottet Alain Mottet ... Commander of the camp
Alain Libolt Alain Libolt ... Paul Dounat
Jean-Marie Robain Jean-Marie Robain ... Baron de Ferte Talloire
Albert Michel Albert Michel ... Gendarm
Denis Sadier Denis Sadier ... Gestapo's doctor
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Storyline

France, 1942, under German occupation. Philippe Gerbier, a civil engineer, is a French Resistance commandant. Denounced by a French collaborator, he is interned in a concentration camp. He manages to escape, and rejoins his network in Marseille, where he has the traitor executed. This movie reveals rigorously and austerely what life was like in the French Resistance: the solitude and fear of its members; their relationships with one another; the constant threat of arrest by the Gestapo; the Resistance command structure and the way its orders were carried out. Head writer Joseph Kessel and co-writer/director Jean-Pierre Melville were both veterans of the "Shadow Army". Written by Yepok

Plot Summary | Add Synopsis

Taglines:

Betrayal. Loyalty. Collaboration. Resistance.

Genres:

Drama | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Rialto Pictures

Country:

France | Italy

Language:

French | German | English

Release Date:

12 September 1969 (France) See more »

Also Known As:

Army of Shadows See more »

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Box Office

Opening Weekend USA:

$12,620, 30 April 2006, Limited Release

Gross USA:

$741,766, 26 April 2007
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono | Dolby Digital (2006 restoration)

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The film is included on Roger Ebert's "Great Movies" list. See more »

Goofs

When Gerbier is being taken to the concentration camp at the beginning of the film, and the guard driving the police van makes an unexpected stop at the house, it is clear that the rain is only falling in front of the camera and directly on the van. Only a few feet away, there are no raindrops hitting the mud or the puddles of water. See more »

Quotes

Jean François Jardie: She said five minutes, but she'll wait a lifetime.
See more »

Connections

Featured in Sous le nom de Melville (2008) See more »

Soundtracks

La Planque
Written and Performed by Orchestre Éric Demarsan
See more »

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User Reviews

 
Could Have Been Called "Army of the Dead"
3 April 2008 | by evanston_dadSee all my reviews

Jean-Pierre Melville's "Army of Shadows" is a sombre film about the French Resistance during WWII. It's yet one more movie that makes me feel like I have a terrible grasp of history, as I knew virtually nothing about the movement before seeing this. Melville himself was a member of the Resistance, so I can only assume that his film is fairly accurate. It's powerful, but not obviously so. It doesn't inspire tremendous reactions or emotions while viewing it, but it gets in your head and stays there.

The film is lacking any of that championing of the underdog spirit that infuses so many other stories about scrappy groups resisting the tyranny of the powerful. The members of the French Resistance in this film live like unearthly beings, skittering from one shadowy doorway to another, trying to erase any sign of themselves. The movie suggests that this need for non-existence bleeds into their psychology as well -- the film's main character becomes nearly inhuman in his devotion to the cause and his ability to ruthlessly do away with colleagues when there's a chance that one of them might jeopardize the others. He's not inhuman, but he must do inhuman things, because the desperation of his and his comrades' situations calls for it.

The Criterion Collection's print of the film looks terrific, or at least as terrific as the film's dreary pallet of grey and brown will allow. Melville gives the film an authentic look -- only some scenes set in the London blitz and on an aircraft carrier have a studio set look to them.

A shot of the Arc di Triomphe both opens and closes the film: a symbol of the France that would eventually emerge from the dark days of WWII, or an ironic jab at a country that can't take much credit for fighting off the tyranny of fascism?

Grade: A


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