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The Appointment (1969)

The lawyer Federico Fendi has reasons to believe that his wife Carla in secret is Rome's highest paid prostitute.


Sidney Lumet


Antonio Leonviola (story) (as Leonviola), James Salter (screenplay)
1 nomination. See more awards »


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Cast overview, first billed only:
Omar Sharif ... Frederico Fendi
Anouk Aimée ... Carla
Didi Perego Didi Perego ... Nani de Marchis
Fausto Tozzi ... Renzo
Gigi Proietti ... Fabre (as Luigi Proietti)
Paola Barbara ... Mother
Inna Alexeievna Inna Alexeievna ... Old Woman on Train (as Inna Alexeieff)
Ennio Balbo Ennio Balbo ... Ugo Perino
Daniela Calvino Daniela Calvino
Ermelinda De Felice Ermelinda De Felice ... Fishmonger's Wife (as Linda De Felice)
Angelo Infanti Angelo Infanti ... Antonio
Serena Michelotti Serena Michelotti ... Lucia
Monica Pardo Monica Pardo ... Olghina
Rodolfo Valadier Rodolfo Valadier
Lotte Lenya ... Emma Valadier


Frederico Fendi, a Rome-based lawyer, is not totally fulfilled despite his professional success, as he is still single and lives with his mother, these issues which he contemplates more and more as he reaches middle age. Things have the potential to change when he falls in love at first sight with a woman he spots on the street. Those dreams are dashed when he learns the woman, Carla, is engaged to Renzo, a friend of his from school. However, Renzo, without telling Carla the reason, breaks off the engagement when he suspects that in addition to her job as a model at a fashion house, that she works as a high priced prostitute. Regardless, Frederico, still obsessed with her, starts to court her despite these suspicions about her which he also has. Frederico's love for her wavering with shame for having these feelings about a prostitute lead to he trying to find out definitively if she really is a prostitute in setting up an appointment with her through the discrete madame, antiques ... Written by Huggo

Plot Summary | Add Synopsis


Drama | Romance


R | See all certifications »





English | Italian

Release Date:

23 May 1969 (West Germany) See more »

Also Known As:

A találka See more »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:



Color (Metrocolor)

Aspect Ratio:

1.85 : 1
See full technical specs »

Did You Know?


When Joseph Losey was in line to direct, Dirk Bogarde was the intended star. See more »


Old Woman on Train: I am not old. I am not old. I am just lived for a long time.
See more »

Alternate Versions

The film was not released theatrically in the U.S., but was aired on CBS at 11:30 p.m. on July 20, 1972, in a re-edited, shorter version, with a new score by 'Stu Phillips (I)'. See more »


Referenced in By Sidney Lumet (2015) See more »

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User Reviews

Lumet's Othello-like story pales in comparison to his better work
1 August 2002 | by JuguAbrahamSee all my reviews

Considering the film was made in 1969, the film is interesting in its approach to subjects, camerawork, acting, etc. Lumet being an American was making a European film in style and content. Some of the camerawork along the streets of Rome reminds you of Boorman's "Point Blank" (1967) or Goddard's "Alphaville" (1965). It has a pointless helicopter shot of the lovers in embrace in an open field which six years later was used with great elan by Arthur Penn in another existential story "Night Moves" as the final shot in that movie. The film has no semblance to the typical Hollywood cinema of late sixties; it is closer to European cinema which Boorman was able to capture quite effectively with existential dilemmas presented on screen. Lumet went on to make much more memorable films, one of which was "Equus".

The story of a doubting lover, a jealous husband has been presented on screen several times. It is an Othello story retold. Omar Sharif's lead role appears plausible but he seems to overdo every detail. His cigarette smoking scene was meant to be a picture of nervousness--yet he is rarely seen smoking during the course of the film. Lumet seems to overlook details. Or is he teasing you?

Anouk Aimee is great to watch because she is so good looking not because she acts well--at least she is not convincing in this film. What is her relationship with the young man on the island? Lumet makes us wonder with the meaningful shot of the man's face on the second trip of the couple to the island. We are left guessing about Aimee's true character even after the end. Everything is open ended, except for the Othello-like lead character. Probably this was the reason for the film being nominated for the Golden Palm at Cannes. Lumet succeeds in fleshing out the male character, but fumbles with the female lead character. Perhaps it was his intention to leave us guessing.

The film remains a puzzle, a good effort that pales in comparison to Lumet's better works like "Equus", "12 Angry Men" and "the Verdict".

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