An elite department within Interpol, Department S inherited those cases which the other member groups had failed to solve. The brains of the group was Jason King, a hedonistic maverick who ...
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Needing to wake early next day to participate in a beauty contest Susan Lewis, staying at her father's pub in the village of Hambledown takes a sleeping pill but wakes in the night to see the entire ...
An elderly man, wandering on an airport runway in his night wear, is killed by an incoming plane; Jason talks to the man's niece and discovers he worked in industrial financial. Meanwhile, Sir Curtis...
An elite department within Interpol, Department S inherited those cases which the other member groups had failed to solve. The brains of the group was Jason King, a hedonistic maverick who wrote mystery novels and solved real-life crimes by projecting himself into the shoes of his fictional hero, Mark Caine. American Stewart Sullivan was the fighter and pragmatist of the group, as down to Earth and cynical as Jason was flighty and flamboyant. Annabelle Hurst was their scientist and analyst, whom Jason often accused of loving nothing in the world except her computer. Although there was strong loyalty amongst the trio, there was also a lot of competition, especially between Annabelle and Jason, who seldom agreed on any theory and were continually trying to show each other up by solving the case using their preferred methods. The head of Department S was Sir Curtis Seretse.Written by
Marg Baskin <email@example.com>
Like NIGHT STALKER and then X-FILES, the show set up a fantastic situation and the main characters had to sort it out. Unlike these, the hero(es) weren't left holding an empty bag at the end. They had usually tangible results. It was also made clear that the 'good guys' were in a dirty profession where they occasionally had to pull some nasty things. Imagination, wit, acting which didn't always take itself too seriously ... I miss it. One reason being, I'm hard pressed to think of too many shows - BANACEK aside - which did as good a job of taking the viewer and grabbing their attention right off the bat. The writers excelled at setting up hugely improbable, if not downright impossible situations which the characters then had to find an explanation to. explanations which often took 90 degree turns into the clearly unexpected yet, for all that, still made sense. Too, I agree with another reviewer that the Anabelle character was somewhat underused, but when she was on screen, it wasn't just for eye candy. She was quite competent in her own right and stood up to the two male leads when she felt the point she was making warranted it. A rarity in those days. Sullivan? If he wasn't in the Department, he'd be working for the KGB or CIA. He's that sort of coldly efficient, ruthless type. He knows how the world works and realizes what it can take to get the job done. King? It's clearly a game to him. One he excels at and which he parleys into ideas for the detective/spy novels he writes as his ostensible 'real' job. He's probably the most fun to watch of the three, although they all have their moments and often, too. I do agree that the eventual spin-off series featuring only his character lacked the interest of the original, however.
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