Benny begins the program by leading the 'League of Helping Hands' into song; a look into the life of a vagabond; Hill's Angels do a choreographed aerobics exercise at a gym, and later do battle with ...
Highlights include "The Loser," about a man beset by bad luck in whatever job he has at one time; Benny impersonating Michael Caine, and playing a circus clown; a French schoolboy speaks of his trip ...
Highlights of Benny's final show for Thames include his last rendition of "Pepys' Diary"; a cop show, "The Good Guys"; Hill's Angels performing variations on title sequences of various TV shows ("The...
This timeless modern slapstick-format doesn't really have a plot, but is an irresistible rapid succession of independent short, comical scenes, mostly without any text, often using ... See full summary »
This show-stopping digital collection of The Benny Hill Show contains Benny's raucous 20-year reign over television's sketch-variety genre, from the naughty early years to the debut of the nubile Hill's Angels, through the final episodes.
A one-off special from Benny Hill, produced for ATV in 1967, featuring musical numbers from The Seekers (who sing "When Will the Good Apples Fall" and "Music of the World A'Turning") and ... See full summary »
Mr. Hill's last TV work, taped and aired before his death, with outdoor scenes taped in New York City. Highlights of this show include "A Streetcar Named Desirée" (a Tennessee Williams ... See full summary »
A collection of sketches and musical numbers from his long running comedy/variety series, culled from shows produced and originally aired between 1969 and 1972; this film's production is ... See full summary »
Another collection of sketches and dance routines from Benny Hill's long-running comedy-variety series. Among the highlights: "Murder on the Oregon Express," in which he impersonates ... See full summary »
A sketch-comedy series in which Hill would often play multiple characters and satirize popular British and American performers and stars. Common themes in the show were the husband-beating wife, buxom women, and silent, high-speed chase scenes between Hill and the other characters.Written by
Gregg Long <firstname.lastname@example.org>
In the 1980s, as public opinion in Britain was systematically being turned against Hill and his show, two former guest stars, Paula Wilcox and Paul Eddington, successfully lobbied to have the respective programs on which they appeared (23 February 1972, Episode 3.3, and 21 April 1976, Episode 7.4) pulled from repeat airings in England. See more »
Several episodes of the U.S. half-hour syndicated version contained scattered portions of two other shows, Eddie in August and Benny Hill Down Under, which were made by Benny Hill outside the confines of his regular series of specials; the individual sections of these two programs were intermixed with sketches from the regular shows. See more »
This was one GREAT TV show and Benny Hill was a genius
Benny Hill was an amazing man. He could write some of the greatest comedy in the history of the English language. His work included wit, satire, low brow, and any other kind of humor that comes to mind. I remember watching this show on American TV in NJ, and it was a HUGE hit. I recall that a local Philadelphia station put this show on opposite the 11:00 pm local news, and for a few years it was the highest rated show in its time slot. Amazing. Along with Benny I'd like to point out the great work of Jackie Wright and Henry McGee. My grandfather had been briefly stationed in England during WW II, and he had seen Jackie Wright perform in London. He said that Jackie was the funniest man he had ever seen on a stage. My grandfather loved the episode when Jackie went on a cheap (and dangerous) vacation. Benny generally used Jackie in many ways, but usually as a PROP! Benny would smack Jackie's bald head over and over again. Henry McGee, on the other hand, was a brilliant straight man to Benny's funny side, and McGee excelled whenever he would interview Benny as "Fred Scuttle." This was brilliant humor and Benny deserves to be ranked with Chaplin, Keaton, Bob Hope, and Woody Allen as the 20th century's greatest funny men.
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