Injured on the job Vasily Kuzyakin gets a ticket to the resort. There he meets femme fatale Raisa Zakharovna, and once under the charm, moves to live with her. Unfortunately, a new life is not all that sweet as dreamed hapless Vasily.
It so happens that peaceful kindergarten teacher is incredibly similar to the terrible villain who stole the helmet of Alexander the Great. And villain's accomplices are unexpectedly similar to children - they also need love and care.
After WWII is over, a young officer Volodya Sharapov returns to Moscow to work in MUR - Moskovskiy Ugolovny Rozysk (Moscow Criminal Police). There he meets Gleb Zheglov who is a chief of a ... See full summary »
A very good cop tries to catch a very insidious and extremely clever serial car thief. The bitter irony is that the thief is not very clever, absolutely not insidious, and moreover - a virtuous person and his friend.
A young student Shurik comes to a remote mountainous region in search of ancient legends and traditions. Fooled by the corrupt local governor, he helps him to kidnap a beautiful young girl, but soon realizes what he's done.
An ordinary Soviet building manager, living in the 20th century, is extremely similar to a Tsar of All Rus' - Ivan IV the Terrible (1530-1584). He would never learn about it, but one day his neighbor created a time machine.
The movie was partly filmed in Odessa, which is not only the hometown on Il'f and Petrov, the writers of the novel the movie is based on, but also the city of which the fictitious city of "Chernomorsk" (Black Sea City) is based on. However the town of Iljichevsk, in the south of Odessa, that was officially made a town in 1973, was also renamed in Chornomorsk in 2016, to make it sound less communistic. See more »
In the radio news report when Koreyko is walking with his suitcase the announcer said that premier minister of France Raymond Poincaré resigned from his position. However this happened in in July 1929, while the plot takes place in 1930. See more »
[speaking to Kozlevich]
I can't buy you a car. The government demands to know where I got the money from.
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Before the movie's title is shown, the photos of Ilya Il'f and Yevgeniy Petrov, the original novel's writers, appear along with their signatures. See more »
The version I watched not long ago of Ilf and Petrov's previous novel of Ostap Bender, "The Twelve Chairs" distinguished itself by unashamedly combining a 1920s setting with a 1970s look and feel. This film goes a very different route with no less success and goes all out for a reconstruction of the film style of the 1920s, complete with authentic-looking title cards to set the scenes. Combined with its sound (and excellent 1920s music) and accommodating running time, it makes for an unusual, pleasant and suitable feel.
This film's greatest advantage is that it is completely in the spirit of Ilf and Petrov's hilarious, adventurous, subversive, and even somewhat humanizing novel. The book builds its effect on may small incidents, and it would have seemed a challenge to choose which to include even in a two-part film adaptation, but this one makes these choices seem perfectly natural.
The biggest asset of them all is Sergey Yurskiy, who for me now embodies the hero Ostap Bender. He's a con man you can feel for (He just wants to go to Rio De Jinero!), and his wry, knowing looks and addresses at the camera are, funny, effective at building sympathy, and at the same time as they are a tribute to the time of such artists as Oliver Hardy and Charley Chase, they also add a postmodern touch.
If this adaptation is not as much fun as is source material, it is only for taking less time to finish!
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