The Golden Calf (1968)

A crook named Ostap Bender, who survived a murder attempt by Kisa Vorobyaninov in "12 Chairs," now schemes to extort 1 million from an underground millionaire.

Director:

Mikhail Shvejtser

Writers:

Ilya Ilf (novel), Yevgeni Petrov (novel)

Stars:

Sergey Yurskiy, Leonid Kuravlyov, Zinoviy Gerdt

Cast

Credited cast:
Sergey Yurskiy	...	Ostap Bender
Leonid Kuravlyov	...	Shura Balaganov
Zinoviy Gerdt	...	Panikovsky
Evgeniy Evstigneev	...	Koreiko
Svetlana Starikova	...	Zosya Sinitskaya
Rest of cast listed alphabetically:
Nikolay Boyarskiy	...	Adam Kozlevich
Mikhail Kokshenov
Pavel Pavlenko	...	Funt
Pavel Vinnik	...	Berlaga
Konstantin Voinov	...	Skumbriyevich
Igor Yasulovich	...	Car Enthusiast

Storyline

A crook named Ostap Bender, who survived a murder attempt by Kisa Vorobyaninov in "12 Chairs," now schemes to extort 1 million from an underground millionaire.

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Plot Keywords:

crook | color in title | animal in title | 1930s | based on novel | 

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Genres:

Comedy

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Details

Country:

Soviet Union

Language:

Russian

Release Date:

8 July 1968 (Soviet Union)

Also Known As:

If I Had a Million Rubles

Company Credits

Production Co:

Mosfilm

Technical Specs

Runtime:

174 min

Sound Mix:

Mono

Color:

Black and White

Did You Know?

Trivia

At the end of the movie Bender said to Sosya that he is 33 years old. the age of Jesus Christ. In fact Sergej Yurskij, who played Bender in this movie, was actually 33 years old while filming the movie, which also fits the age of Ostap Bender from the original novel.

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Goofs

The plane Ostap Bender wants to buy from his earned million is an An-2, which was built in 1947, 17 years after the movie's setting.

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Quotes

Ostap Bender: [speaking to Kozlevich] I can't buy you a car. The government demands to know where I got the money from.

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Crazy Credits

Before the movie's title is shown, the photos of Ilya Il'f and Yevgeniy Petrov, the original novel's writers, appear along with their signatures.

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Connections

Version of Prehlídce velim já (1969)

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Soundtracks

Largo al factotum della citta
(uncredited)
(from "The Barber of Seville")
Written by Gioachino Rossini
(sang in the background in the beach scene)

User Reviews

Golden

The version I watched not long ago of Ilf and Petrov's previous novel of Ostap Bender, "The Twelve Chairs" distinguished itself by unashamedly combining a 1920s setting with a 1970s look and feel. This film goes a very different route with no less success and goes all out for a reconstruction of the film style of the 1920s, complete with authentic-looking title cards to set the scenes. Combined with its sound (and excellent 1920s music) and accommodating running time, it makes for an unusual, pleasant and suitable feel.

This film's greatest advantage is that it is completely in the spirit of Ilf and Petrov's hilarious, adventurous, subversive, and even somewhat humanizing novel. The book builds its effect on may small incidents, and it would have seemed a challenge to choose which to include even in a two-part film adaptation, but this one makes these choices seem perfectly natural.

The biggest asset of them all is Sergey Yurskiy, who for me now embodies the hero Ostap Bender. He's a con man you can feel for (He just wants to go to Rio De Jinero!), and his wry, knowing looks and addresses at the camera are, funny, effective at building sympathy, and at the same time as they are a tribute to the time of such artists as Oliver Hardy and Charley Chase, they also add a postmodern touch.

If this adaptation is not as much fun as is source material, it is only for taking less time to finish!