"Cheaper By the Dozen", based on the real-life story of the Gilbreth family, follows them from Providence, Rhode Island to Montclair, New Jersey, and details the amusing anecdotes found in ... See full summary »
Clay Spencer is a hard-working man who loves his wife and large family. He is respected by his neighbors and always ready to give them a helping hand. Although not a churchgoer, he even ... See full summary »
When a widower with 10 children marries a widow with 8, can the 20 of them ever come together as one big happy family? From finding a house big enough for all of them and learning to make 18 school lunches, to coping with a son going off to war and an unexpected addition to the family, Yours, Mine and Ours attempts to blend two families into one and hopes to answer the question Is bigger really better?Written by
April M. Cheek <Aravis2713@aol.com>
Helen Eileen Beardsley (who wrote the book Who Gets the Drumsticks? on which this was based) died 26 April 2000, aged 70, Healdsburg, California, USA (Parkinson's disease). See more »
When Lucille is holding baby in the hospital, it is wrapped in a blue blanket. She clearly asks the nurse "Could you hold HIM up to the window so they could see HIM? The baby is a BOY. However, in the closing scene when the oldest son leaves, the Baby is clearly wrapped in pink which in 1968 meant a girl. See more »
YOURS, MINE, AND OURS reunites Lucille Ball and Henry Fonda, who had worked together in the 1942 B-film THE BIG STREET, the former a heavy-handed drama making a contrast to this lightweight comedy. Reminiscent of CHEAPER BY THE DOZEN, the premise -- a man and woman, both with a huge family, meet, fall in love, and marry -- would be unbelievable if it weren't true.
Based on the autobiographical novel by Helen Eileen Beardsley, YOURS, MINES, AND OURS is a blueprint of sorts of future television shows "The Brady Bunch" and "Eight is Enough" but amps it up to eleven. While on those shows we never got to see just how a real household was handled (being situation programs, their stories were resolved in minimal time), here we get glimpses of what happens at dinnertime, or how groceries get done, and it's those trivial things that keep the charming story in check instead of throwing it into la-la land. Both Fonda and Ball are well-matched and have funny scenes together despite that both actors were a little too old for their characters, but it's not even a minor contrivance. Very enjoyable, witty, sunny: just what this kind of movie should be.
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