Critic Reviews



Based on 18 critic reviews provided by
Perhaps because the Beatles were considered such a draw, perhaps because the songs were counted on to sell the film, there was no agenda to dumb down the material or hard-sell the story. Instead of contrived urgency, there's unpressured whimsy, and the movie exists as pure charm, expressed in fantastical imagery. And then there are the songs.
For all of its groovy fun, Yellow Submarine offers a subliminal reminder that the power of love never goes out of fashion.
Visually inventive cartoon is complemented by clever, whimsical narration and 11 songs from the Beatles.
A garish, gorgeous example of pop art at its finest.
If the result seems less a coherent story than a two-hour pot high, Submarine is still a breakthrough combination of the feature film and art's intimacy with the unconscious.
Sure, some of the puns and in-jokes sound a little dated, but any movie that strings together lines from Shakespeare merely as a throwaway comic riff is, in my book, a film for the ages.
A zesty, satisfying celebration of animation, fantasy, love, and the Beatles that pleases the eyes as much as the ears.
This is a full length animated cartoon in which the prime factor is the appearance of the Beatles in caricature form. Here are all the ingredients of a novel entertainment.
This 1968 Beatles musical gets somewhat plot heavy near the end, but it's a marvel of innocence and free association, blending several animation techniques in a loose narrative full of gentle bad puns and flowing visual segues.
The animation is imaginatively conceived, but stiffly executed. A Fantasia designed for heads, the film does no more justice to the music than Disney's artists did. But Disney had the excuse of innocence, whereas this shrewdly conceived commercial project does not.

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