With Six You Get Eggroll (1968)
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- G
- 1h 35min
- Comedy, Drama
- 07 Aug 1968 (USA)
- Movie
Two widowed people fall in love and marry, unprepared for the hostile reactions of their children.
Director:
Writers:
Stars:
Award:
- 1 nomination.
- See more »
Photos and Videos
Cast verified as complete
| Doris Day | ... |
Abby McClure
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| Brian Keith | ... |
Jake Iverson
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| Pat Carroll | ... |
Maxine Scott
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| Barbara Hershey | ... |
Stacey Iverson
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| George Carlin | ... |
Herbie Fleck
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| Alice Ghostley | ... |
Molly
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| John Findlater | ... |
Flip McClure
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| Elaine Devry | ... |
Cleo
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| Herb Voland | ... |
Harry Scott
(as Herbert Voland)
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| Jamie Farr | ... |
Jo Jo
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| William Christopher | ... |
Zip-Cloud
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| Milton Frome | ... |
Bud Young
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| Allan Melvin | ... |
Desk Sergeant
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Richard Steele | ... |
Jason McClure
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Jimmy Bracken | ... |
Mitch McClure
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Mickey Deems | ... |
Sam Bates
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| Jackie Joseph | ... |
Georgia Watson
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| Vic Tayback | ... |
Truck Driver
(as Victor Tayback)
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The Grass Roots | ... |
Themselves
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| Rest of cast listed alphabetically: | |||
| Jim Boles | ... |
Pete (uncredited)
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John Copage | ... |
Lumberyard Employee (uncredited)
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| Norman Leavitt | ... |
Executive (uncredited)
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| Peter Leeds | ... |
Joelson - Police Officer (uncredited)
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| Howard Morris | ... |
Hippie in Police Station (uncredited)
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| Ken Osmond | ... |
Duke (uncredited)
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| Maudie Prickett | ... |
Party Guest (uncredited)
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| Pearl Shear | ... |
Laughing Lady (uncredited)
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Directed by
| Howard Morris | ||
Written by
| Gwen Bagni | ... | (screenplay) & |
| Paul Dubov | ... | (screenplay) and |
| Harvey Bullock | ... | (screenplay) & |
| R.S. Allen | ... | (screenplay) |
| Gwen Bagni | ... | (story) & |
| Paul Dubov | ... | (story) |
Produced by
| Martin Melcher | ... | producer |
Music by
| Robert Mersey | ||
Cinematography by
| Ellsworth Fredericks | ... | director of photography (as Ellsworth Fredricks) |
| Harry Stradling Jr. | ... | director of photography |
Editing by
| Adrienne Fazan | ||
Art Direction by
| Cary Odell | ||
Set Decoration by
| James L. Berkey | ||
Costume Design by
| Constance Edney | ||
| Ray Summers | ||
Makeup Department
| Armiene | ... | hair stylist |
| Barbara Lampson | ... | hair stylist |
| Harry Maret | ... | makeup artist |
| Emile LaVigne | ... | makeup artist (uncredited) |
| Dorothy Parkinson | ... | body makeup artist (uncredited) |
Production Management
| Bud Grace | ... | unit manager |
| Gilbert Kurland | ... | production manager |
Second Unit Director or Assistant Director
| Michael Daves | ... | second assistant director |
| Bud Grace | ... | assistant director |
Art Department
| Bill Dietz | ... | props (uncredited) |
| Ed Shanley | ... | assistant property master (uncredited) |
| Lou Wildey | ... | props (uncredited) |
Sound Department
| Philip Mitchell | ... | sound mixer (as Philip Mitchell Sr.) |
| James G. Stewart | ... | dubbing mixer |
| Patrick Mitchell | ... | cableman (uncredited) |
| Dean Spencer | ... | sound recordist (uncredited) |
| Charles M. Wilborn | ... | boom operator (uncredited) |
Stunts
| Bob Herron | ... | stunts |
| Charlie Picerni | ... | stunts |
| Carol Daniels | ... | stunt double: Barbara Hershey (uncredited) |
| Victor Paul | ... | stunts (uncredited) |
Camera and Electrical Department
| William Dodds | ... | camera operator |
| Ed Berger | ... | grip (uncredited) |
| George Hollister | ... | assistant camera (uncredited) |
| George Hurrell Sr. | ... | still photographer (uncredited) |
| Clifford Hutchison | ... | gaffer (uncredited) |
| J. Bruce Nielsen | ... | best boy (uncredited) |
| Mervin Price | ... | grip (uncredited) |
| Harold Young | ... | first assistant camera (uncredited) |
Animation Department
| Corny Cole | ... | animation director (uncredited) |
| Bob Richardson | ... | animator: title animation (uncredited) |
Costume and Wardrobe Department
| Glenn Connelly | ... | costume designer: Miss Day |
| Constance Edney | ... | wardrobe: women (uncredited) |
| Barbara Siebert | ... | costumer (uncredited) |
| Ray Summers | ... | wardrobe: men (uncredited) |
Music Department
| Robert Mersey | ... | conductor |
| Tommy Tedesco | ... | musician: guitar (uncredited) |
Production Companies
Distributors
- National General Pictures (1968) (United States) (theatrical)
- Warner-Pathé Distributors (1968) (United Kingdom) (theatrical)
- National Broadcasting Company (NBC) (1972) (United States) (tv) (pan/scan)
- CBS/Fox (1985) (United States) (VHS)
- Playhouse Video (1985) (United States) (VHS)
- 20th Century Fox Home Entertainment (1998) (United States) (VHS)
- Paramount Home Entertainment (2005) (United States) (DVD)
- Paramount (2005) (France) (DVD)
- Alive Vertrieb und Marketing (2015) (Germany) (DVD) (release through)
- Winkler Film (2015) (Germany) (DVD)
- CBS Europa (2021) (Poland) (tv)
- Paramount Channel (2024) (France) (tv)
Special Effects
Other Companies
- DeLuxe Laboratories (color)
- DePatie-Freleng Enterprises (DFE) (titles)
- Panavision (filmed in)
Storyline
| Plot Summary |
Abby McClure, a widow with three sons, and Jake Iverson, a widower with a teenage daughter, get fixed up. They start dating and decide to get married. They're not prepared for the hostile reactions from their children, especially Jake's daughter Stacey, who wants to be the lady of the house, and Abby's oldest son Flip, who hates Jake.
Written by Daniel Bubbeo |
| Plot Keywords | |
| Taglines | ANOTHER DELIGHTFUL TREAT FOR THE THOUSANDS WHO ENJOYED "YOURS, MINE and OURS"! (original print ad - almost all caps) See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
Additional Details
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Box Office
| Budget | $2,727,000 (estimated) |
Did You Know?
| Trivia | The final scenes of this film feature Doris Day teary-eyed, wearing a housecoat and slippers. When her husband of 17 years Martin Melcher died suddenly just after production was completed, gossip magazines at the time used stills of Day from this movie, looking distraught and out-of-sorts, to accompany their articles about Melcher's death. See more » |
| Goofs | The nightclub scene has a mismatched cut of Doris: in a three-shot, her chin is in her hand; cut immediately to a close-up, her hands are clasped together in front of her. See more » |
| Movie Connections | Featured in Doris Day: It's Magic (1998). See more » |
| Soundtracks | Feelings See more » |
| Crazy Credits | The opening credits are animated in the style of a series of children's crayon drawings. The Art Director credit is misspelled, comically and deliberately as "ART DER," scratched out, misspelled again as "ART DUR," scratched out again, the entire page is crumpled, and the credit finally appears, correct and not animated, on the following screen. See more » |
| Quotes |
Molly the Maid:
[in front of Jake, Abby's date for the evening]
Mrs. McClure! Now I need to put the meat on broil but your hair is on bake. Which should I do first? Abby McClure: [humiliated] I think the *hair*, Molly. Molly the Maid: False hair, false eyelashes, false bosoms. In my day women were flesh and blood, now they're 70% nylon and 30% foam rubber. See more » |