Lambert, a burned-out case, works the night shift at a gas station, rarely speaking, living alone, drinking. Bensoussan, raised in foster homes, now a small-time pusher for a bar owner ... See full summary »
Pierre, 44, contentedly divorced, takes his teen daughter to the Côte d'Azur along with his friend Jacques and Jacques' own teen daughter, Françoise. On the topless beaches of Saint-Tropez,... See full summary »
Claude and Isabella met on a beach one summer and got easily involved. But while he has dreams of settling down with a family, she just wants to have fun. When Isabelle becomes pregnant, ... See full summary »
Claude is in his last year of high-school, but he doesn't care much for school. Instead all his thoughts circle around girls and getting laid. But since he doesn't look very studly, he has ... See full summary »
This is the continuation of the Old Man and the child, the little boy now old enough to serve: 21 years old. A friend claims to be able to boost him in the air force so that he stays in ... See full summary »
An anguished foster child takes to mischief and lies as his foster parents do their best to love and care for him. But it might be too little, too late in this emotionally devastating portrayal of the orphaned child.
A love story or a tale of the resistance, this poignant movie tells both the haunting story of a French resistance cell in Lyon but also the love of Lucie Aubrac for her husband, and the ... See full summary »
After World War II, a small French village struggles to put the war behind as the controlling Communist Party tries to flush out Petain loyalists. The local bar owner, a simple man who ... See full summary »
Claude is a Jew. Because of the risks of an arrest (France is occupied by the Nazis), his parents send him away to an elderly couple in the country. Pepe, the husband, is a Petain supporter and a anti-Semite, but he does not know about Claude's religion. The film is the story of their growing mutual affection.Written by
"The Two of Us" ("Le vieil homme et l'enfant") was director Claude Berri's first full-length film. See more »
When Claude joins a wooden-sword fight while the Langmann family is living in Dijon, a flag containing a swastika is hanging from a building in the background (at 0:08:51 on the Cohen Film Collection BD; at 0:09:01 on the Criterion Collection DVD). Most viewers would assume that the only swastika flag allowed to be flown on dry land in German occupied France would be the German national flag (1920-1945) containing (on both sides) a right-facing swastika rotated to a 45 degree angle from vertical on a white circle in a red background. The flag shown in the film has a left facing swastika whose arms are aligned with vertical and horizontal. See more »
Maréchal nous voilà
Lyrics by André Montagnard
Music by André Montagnard and Charles Courtioux See more »
I remember seeing this movie when I as a teenager (say, about 1970) and I was then very moved by this warm and tender drama. Nearly 30 years later, I just saw it on TV and I didn't change my mind : this is a very good movie, in the way French can say a lot of things in this kind of day-to-day film. The chemistry between young Cohen and veteran Simon is beautiful. It's also filled with references to the way people in France lived the Second world war, like Simon hating Jews and didn't know that is young friend Berry is a Jew. I love Michel Simon. He had been such a great actor from the second half of the 1920's to his death, in the middle 1970's. He was always good in his films, so natural that we don't think he's acting. Le vieil homme et l'enfant is a very intelligent movie for young director Berri, who will be famous as a director and producer in the next years.
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