A taboo-smasher of the late '60s, featuring interracial affairs, anti-Vietnam statements, violence versus sex. Take a whirlwind trip with a married woman whose journey through the ... See full summary »
Bernard meets Jane in a Night Club, in London, and he likes her. Her father was killed in a car accident, but Jane thinks he has been killed because he was blackmailed for a picture of his ... See full summary »
Medieval drama in which Redgrave plays an allegedly insane woman who is allowed to finally leave the madhouse to see if she is capable of functioning normally. Her parents pay no attention ... See full summary »
Mary is a disillusioned English banker's wife who meets a troubled Italian immigrant, Bruno. Mary is captivated by Bruno and they set off on a voyage together. In the course of their voyage, they meet a series of society's dropouts.
Kitty runs a brothel in Nazi Germany where the soldiers come to "relax". Recording devices have been installed in each room by a power hungry army official, who plans to use the information to blackmail Hitler and gain power himself.
Teresa Ann Savoy
Bruno is an idealistic hero who questions the meaning of life in this confusing and sometimes hallucinatory erotic drama. After a night in jail, he is gang-raped by punk rockers in a ... See full summary »
A man referred to only as "Yankee" rides into a dying, desolate town in frontier New Mexico which is completely controlled by a man called the "Grand Cougar." Almost immediately, a battle for dominance ensues.
A disbarred lawyer (Giancarlo Giannini) is working as a debt collector for his partner Sapo (Philippe Léotard). Escorting prostitute Milena (Raffaella Baracchi) impregnated by Sapo to an ... See full summary »
Bonifacio is 27 years old and he is roaming about Venice. He is trying to decide whether to accept a job or not. In so doing, he recalls all his past life: his love story with Gabriella, ... See full summary »
This film is a series of letters, photos and video cassettes which women often send in to certain newspapers. By visualizing their story-telling (the name given by the psychologists to ... See full summary »
To begin with, I do not consider myself a fan of Italian sexploitationer Brass; however, having enjoyed a couple of his atypical earlier work – the Spaghetti Western YANKEE (1966) and the pop-art giallo DEADLY SWEET (1967) – I expected more of the same to be of comparable quality (for the record, I have three others still to check out from this vintage). Anyway, I was deeply disappointed by the film under review – especially after reading it was deemed surreal (in retrospect, it is much closer to the style of fellow Italian Federico Fellini or Alejandro Jodorowsky, whose brand of weird I particularly deplore, rather than that of my all-time favorite Luis Bunuel). Well, bizarre (and virtually plot less) it certainly is but, as to engaging, quite the opposite – making for an annoying and downright repellent experience! Just about its sole saving grace, in fact, is the hauntingly beautiful presence of leading lady Tina Aumont: she, a bolting bride, and popular Italian comic Gigi Proietti are the 'heroes' who go from one wild encounter to another – notably an orgy, a cannibal family and a city under siege (from what I can recall, since the film has already started to fade from my memory, within the space of just one week!); an inspired self-referential moment even has the central couple literally running into Jean-Louis Trintignant, protagonist of DEADLY SWEET!
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