Täällä Pohjantähden alla is based on the book with the same title. It is a story of the little village. The movie starts in the 1890's and it ends to the Finnish civil war in 1918. Story ...
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In 1941 Finland attacks the Soviet Union to regain the territory that the Soviet Union occupied after the Winter war 1939-1940. Among the Finnish soldiers are Anttero, Wolf Paw, Koskela and... See full summary »
This film is the second silver screen adaption of the Finnish war book by Väinö Linna with the same name as the film. The story is based on Linna's experiences as an infantry man in the ... See full summary »
The Soviet army breaks through the Finnish defences on the Karelian Isthmus in June 1944, advancing with overwhelming force. Somehow, the Finnish troops must find the strength to fight back... See full summary »
Häjyt tells a story of two friends who have a hard time finding their place in the society. Antti and Jussi are released from jail. While they were doing time for bank robbery, the third ... See full summary »
A rich widow is found dead of gas poisoning in her flat in Helsinki. First the death is thought to be an accident, but lieutenant Palmu notices that the murderer has made a mistake, and ... See full summary »
Täällä Pohjantähden alla is based on the book with the same title. It is a story of the little village. The movie starts in the 1890's and it ends to the Finnish civil war in 1918. Story concentrates around a tenant farmer family, although it gives us a good look at the society at whole. While the class struggle depends, people of the village are driven to bloody civil war.Written by
Ville Kulmala <firstname.lastname@example.org>
Night battle scene at the end of the movie is based on thrue events at the battle of Syrjäntaka at Tuulos, Finland. This battle was fought between Finnish Red Guards and Imperial German forces at April 28-29 1918. See more »
In 1955 director Edvin Laine adapted Väinö Linna's beloved WWII novel The Unknown Soldier and the result is unquestionably the most celebrated work of Finnish cinema. 13 years later he matched its success with another adaptation of Linna's novel; this time a monumental trilogy about the birth and development of a nation; Here Under the Northern Star. The movie was a gigantic hit with the critics and the audiences alike and is still regarded as the most popular classic after The Unknown Soldier.
The story, starting just before Finland gains its independence, is a multi-generation spanning history of a newly independent nation dealing with inner turmoil, told through the eyes of a little community, with an emphasis on the Koskela-family. The first half of the film is set around Jussi Koskela, a poor, mild-mannered man who's trying to get ahead in life, while the second half mostly revolves around Jussi's son: Akseli, a passionate and fiery-tempered young man also trying to get ahead in life, but by far more radical ways than his father. The main theme is the class struggle between the rich and the poor (the "whites" and the "reds") which would eventually escalate to a full-blown, bitter, civil war. Although not forgetting the joys of life, like in the form of the tender romance between Akseli and Elina.
While the examination of what lead to the conflict is equally important, the civil war takes the major part of the film. What makes this the definitive portrait of the war, is that, while it is told from the reds' point-of-view, it doesn't "choose sides", rather just documents a national tragedy. Atrocities and war crimes toward civilians are done by both sides and the "trials" held during and after the war are more about settling personal vendettas than actually passing justice. Incidentally the best moments of the movie are in the last quarter when the drama reaches its harrowing and heartbreaking conclusion.
Most of the films excellence must be attributed to the masterful source novel, but even so, just the fact that this is so well adapted is praiseworthy in itself. The essential parts of the book have translated well to the screen (in content, but also in Linna's slyly sardonic tone) and the pacing is excellent, the film moves on a brisk pace for a 190 minute epic. It's visually appealing, not exactly stunning, but definitely well-shot and musically memorable. On the other hand, the films major weakness lies in the badly dated acting. The main players are all solid; some, like Aarno Sulkanen (as Akseli) are even great; but unfortunately many of the minor players range from plain hammy to grating "scenery-chewing", but that one complaint aside, the film is captivating, incredibly touching, unforgettable achievement..
Finnish cinema does not get more essential than this. If you ever have the chance to see it I highly recommend giving it a try.
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