Spirits of the Dead (1968)

Anthology film from three European directors based on stories by Edgar Allan Poe: a cruel princess haunted by a ghostly horse, a sadistic young man haunted by his double, and an alcoholic actor haunted by the Devil.

Directors:

Federico Fellini, Louis Malle

Writers:

Edgar Allan Poe (story "Metzengerstein") (as Edgar Allan Poë), Roger Vadim (adaptation)

Stars:

Jane Fonda, Brigitte Bardot, Alain Delon

2 nominations.

Cast

Cast overview, first billed only:
Brigitte Bardot	...	Giuseppina (segment "William Wilson")
Alain Delon	...	William Wilson (segment "William Wilson")
Jane Fonda	...	Contessa Frederique de Metzengerstein (segment "Metzengerstein")
Terence Stamp	...	Toby Dammit (segment "Toby Dammit")
James Robertson Justice	...	Countess' Advisor (segment "Metzengerstein")
Salvo Randone	...	Priest (segment "Toby Dammit")
Françoise Prévost	...	Friend of Countess (segment "Metzengerstein") (as Francoise Prevost)
Peter Fonda	...	Baron Wilhelm Berlifitzing (segment "Metzengerstein")
Marlène Alexandre	...	(segment "Metzengerstein")
David Bresson
Katia Christine	...	Young girl on the dissection table (segment "William Wilson") (as Katia Christina)
Peter Dane
Georges Douking	...	Le licier (segment "Metzengerstein")
Philippe Lemaire	...	Philippe (segment "Metzengerstein")
Carla Marlier	...	Claude (segment "Metzengerstein")

Storyline

Three directors each adapt a Poe short story to the screen: "Toby Dammit" features a disheveled, drugged and drunk English movie star who nods acceptance in the Italian press and his producers fawn over him. "Metzengerstein" features a medieval countess who has a love-hate relationship with a black stallion - who, it turns out, is really her dead lover. "William Wilson" tells the story of a sadistic Austrian student with an exact double whom he later kills.

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Plot Keywords:

horror anthology | gothic horror | based on short story | horse | woman smokes a cigar | 

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Taglines:

Edgar Allen Poe's ultimate orgy!

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Genres:

Drama | Horror | Mystery

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Certificate:

R

Details

Country:

France Italy

Language:

French Italian English

Release Date:

23 July 1969 (USA)

Also Known As:

Spirits of the Dead

Filming Locations:

Bergamo, Lombardia, Italy

Company Credits

Production Co:

Les Films Marceau, Produzioni Europee Associate (PEA), Cocinor

Technical Specs

Runtime:

121 min

Sound Mix:

Mono (Westrex Electric)

Color:

Color Color (Eastmancolor)

Aspect Ratio:

1.75 : 1

Did You Know?

Trivia

Terence Stamp and Peter Fonda worked together again many years later in The Limey (1999).

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Goofs

When Countess Frederique ("Metzengerstein") is urging the black stallion into the sea, her ermine-trimmed cloak is suddenly gone.

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Quotes

Giuseppina (segment "William Wilson"): The card-player resembles the lover. He gets tired. No staying power, my dear.

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Alternate Versions

The whipping of Giuseppina was cut in the original 1973 UK cinema release (titled "Tales of Mystery"), and subsequent releases were also edited. The 15-rated 1986 video (as "Powers of Evil") completely missed the entire 'William Wilson' story, and the 18-rated 1990 French Collection VHS (titled "Histoires Extraordinaires: Tales of Mystery and Imagination") received over a minute of cuts to the whipping scene and shots of Wilson caressing a girl with a scalpel. The Arrow blu-ray release (titled "Spirits of the Dead") is the full uncut version.

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Connections

Version of The Student of Prague (1913)

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Soundtracks

Ruby
Sung by Ray Charles
Lyrics by Mitchell Parish
Music by Heinz Roemheld

User Reviews

Fellini segment does it for me

Call me deprived. This was my introduction to the films of Federico Fellini, way back when. But it was perfect, it was short enough and contained just enough to leave me wanting to see more.

The section is, of course, the "Toby Dammit" segment and, to me, was just so far ahead of it's time. Maybe it was just ahead of MY time and I had to age a little more to "get" more of it. I don't know, I just know that as I get older and, unfortunately, more cynical, the segment makes more and more sense to me. Well, as much sense as it ever will have anyway, let's not forget who we are talking about here.

Since it is my favorite segment and the only one I usually fast-forward to when watching the video, I will confine my comments to it alone. It concerns a celebrity deep in crisis who is invited to Rome to participate in an awards show. While there he is courted to appear in a movie and is given a Ferrari as part of his compensation. The segment is harrowing and nightmarish, a waking dream as only Fellini could have presented. You see people walking backwards, nuns, paparazzi, mannequins, people with paper masks, spectacularly lit roadside glass shops, gypsy fortune tellers, floating balls, a devilish girl in a white wig and dress looking very kabuki-esque, meat trucks and on and on. Get it? I don't, but it's a trip, man.

Like a dream, it is multi-layered and impossible to fully understand. I am certain that Fellini himself would be hard-pressed to explain every image. I am sure some were quite improvisational, occuring based more on what came up that day of shooting rather than planned out precisely.

Allow it's images to flow without getting bogged down in what this or that means when you first see it. You can always rewind the tape and try and take it apart scene by scene later if you are so inclined. Treat it as a celluloid dream / nightmare and you will probably be closest to the truth here.

Recommended to those who are new to Fellini, its a great introduction. You will be either drawn or repelled.