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Sweet November ()


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A woman lures emotionally crippled men into affairs, then helps them repair their lives.

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Sara Deever
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Charlie Blake
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Alonzo
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Clem Batchman
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Richard
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Carol
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Gordon
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Mrs. Schumacher
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Digby
Robert Gibbons ...
Sam Naylor
Robert Cleaves ...
Harrison
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Armstrong
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Driving Test Proctor
George Winters ...
Telegraph Boy
Rest of cast listed alphabetically:
Paul King ...
Man in DMV Office (uncredited)
Norma Jean Kron ...
Girl Walking in Brooklyn (uncredited)
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DMV Clerk (uncredited)
Packy McFarland ...
Minor Role (uncredited)

Directed by

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Robert Ellis Miller

Written by

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Herman Raucher ... (written by)

Produced by

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Jerry Gershwin ... producer
Elliott Kastner ... producer

Music by

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Michel Legrand

Cinematography by

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Daniel L. Fapp ... director of photography

Editing by

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James T. Heckert ... (as James Heckert)

Art Direction by

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John Robert Lloyd ... (as John Lloyd)

Set Decoration by

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Ralph S. Hurst

Costume Design by

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Ann Roth

Makeup Department

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Gordon Bau ... makeup supervisor
Jean Burt Reilly ... supervising hair stylist

Second Unit Director or Assistant Director

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Fred Gammon ... assistant director

Art Department

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Frank L. Brown ... set dresser (uncredited)

Sound Department

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Stanley Jones ... sound

Music Department

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Michel Legrand ... conductor
Louise Di Tullio ... musician: flute (uncredited)
Dan Wallin ... score mixer (uncredited)

Script and Continuity Department

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Dorothy Aldrin ... script supervisor
Crayton Smith ... script supervisor trainee (uncredited)

Additional Crew

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Bert Steinberger ... dialogue supervisor

Production Companies

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Distributors

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Special Effects

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Other Companies

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Storyline

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Plot Summary

Sara Deever, a kooky Brooklyn Heights girl, sublets apartments and paints in her spare time. Each month, Sara selects from her lodgers a new lover - but only on the condition that he will let their affair end when the month expires. When Charlie Blake, a box manufacturer and her lover-of-the-month, falls in love with her, he is unwilling to give her up. Sara insists, even though it is obvious that she too has fallen in love. As the month runs out, Charlie searches desperately for the key to Sara's persistence. What he discovers provides the haunting climax to this love story. Written by alfiehitchie

Plot Keywords
Taglines "A girl I know, she is partly mad. Yet behind that smile, she is partly sad. She is partly calm, she is partly wild. But she is mostly woman -- No. She is mostly child." See more »
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Additional Details

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Also Known As
  • L'Amant de novembre (France)
  • Dulce noviembre (Spain)
  • Antio agapi mou (Greece)
  • Αντίο αγάπη μου (Greece)
  • Сладкий ноябрь (Soviet Union, Russian title)
  • See more »
Runtime
  • 114 min
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Did You Know?

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Trivia Originally intended as a vehicle for Samantha Eggar and Anthony Newley, who had starred together the previous year in Doctor Dolittle (1967). See more »
Goofs Early on, both characters are eating hot dogs, that go from shorter to longer, back and forth, after being partially eaten. At one point Charlie is chewing, and the hot dog and bun are whole. See more »
Movie Connections Referenced in Sweet November/Recess: School's Out/Down to Earth/Faithless/Yi Yi (2001). See more »
Soundtracks Sweet November See more »
Quotes Charlie Blake: Oh cut it out Sara, I love you. That means past November, past winter, past all the dumb years ahead. OK?
Sara Deever: We made an agreement, you and I, we shook hands.
Charlie Blake: Sara, kids do that.
Sara Deever: A bargain is a bargain. A sacred vow and an oath. Whoever breaks that oath must give up all memories of the other. Do you want to give up your memories of me?
Charlie Blake: No, of course I don't, and I don't have to.
Sara Deever: No, no, I know, I know you don't have to, but supposing that you did.
Charlie Blake: Sara, that's silly, I'd have no control over it. I can't just blot everything out simply because I agreed to.
Sara Deever: People must be remembered Charlie, otherwise it's as if they were never here at all. All we are are the people who remember us. If we go away, and everybody forgets we were ever here, its as if we never were.
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