Sweet November (1968)
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- Approved
- 1h 54min
- Comedy, Drama
- 08 Feb 1968 (USA)
- Movie
A woman lures emotionally crippled men into affairs, then helps them repair their lives.
Director:
Writer:
Photos and Videos
Complete, Cast awaiting verification
| Sandy Dennis | ... |
Sara Deever
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| Anthony Newley | ... |
Charlie Blake
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| Theodore Bikel | ... |
Alonzo
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| Burr DeBenning | ... |
Clem Batchman
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| Sandy Baron | ... |
Richard
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| Marj Dusay | ... |
Carol
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| Martin West | ... |
Gordon
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| Virginia Vincent | ... |
Mrs. Schumacher
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| King Moody | ... |
Digby
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Robert Gibbons | ... |
Sam Naylor
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Robert Cleaves | ... |
Harrison
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| Francis De Sales | ... |
Armstrong
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Monty Margetts | ... |
Driving Test Proctor
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George Winters | ... |
Telegraph Boy
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| Rest of cast listed alphabetically: | |||
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Paul King | ... |
Man in DMV Office (uncredited)
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Norma Jean Kron | ... |
Girl Walking in Brooklyn (uncredited)
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Mike Lally | ... |
DMV Clerk (uncredited)
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Directed by
| Robert Ellis Miller | ||
Written by
| Herman Raucher | ... | (written by) |
Produced by
| Jerry Gershwin | ... | producer |
| Elliott Kastner | ... | producer |
Music by
| Michel Legrand | ||
Cinematography by
| Daniel L. Fapp | ||
Film Editing by
| James T. Heckert | ... | (as James Heckert) |
Art Direction by
| John Robert Lloyd | ... | (as John Lloyd) |
Set Decoration by
| Ralph S. Hurst | ||
Costume Design by
| Ann Roth | ||
Makeup Department
| Gordon Bau | ... | makeup supervisor |
| Jean Burt Reilly | ... | supervising hair stylist |
Second Unit Director or Assistant Director
| Fred Gammon | ... | assistant director |
Art Department
| Frank L. Brown | ... | set dresser (uncredited) |
Sound Department
| Stanley Jones | ... | sound |
Music Department
| Michel Legrand | ... | conductor |
| Dan Wallin | ... | score mixer (uncredited) |
Script and Continuity Department
| Dorothy Aldrin | ... | script supervisor |
| Crayton Smith | ... | script supervisor trainee (uncredited) |
Other crew
| Bert Steinberger | ... | dialogue supervisor |
Production Companies
Distributors
- Warner Bros./Seven Arts (1968) (United States) (theatrical)
- Warner-Pathé Distributors (1968) (United Kingdom) (theatrical)
- Astória Filmes (1969) (Portugal) (theatrical)
- Warner Bros. (1968) (West Germany) (theatrical)
- American Broadcasting Company (ABC) (1975) (United States) (tv) (original airing)
- Warner Home Video (2009) (United States) (DVD)
Special Effects
Other Companies
Storyline
| Plot Summary |
Sara Deever, a kooky Brooklyn Heights girl, sublets apartments and paints in her spare time. Each month, Sara selects from her lodgers a new lover - but only on the condition that he will let their affair end when the month expires. When Charlie Blake, a box manufacturer and her lover-of-the-month, falls in love with her, he is unwilling to give her up. Sara insists, even though it is obvious that she too has fallen in love. As the month runs out, Charlie searches desperately for the key to Sara's persistence. What he discovers provides the haunting climax to this love story. Written by alfiehitchie |
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| Taglines | "A girl I know, she is partly mad. Yet behind that smile, she is partly sad. She is partly calm, she is partly wild. But she is mostly woman -- No. She is mostly child." See more » |
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| Parents Guide | Add content advisory for parents » |
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Additional Details
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Did You Know?
| Trivia | Universal spent $100,000 for the rights in August 1964. See more » |
| Goofs | Early in the film, both characters are eating hot dogs, that go from shorter to longer, back and forth, after being partially eaten. At one point Charlie is chewing, and the hot dog and bun are clearly whole. See more » |
| Movie Connections | Referenced in Sweet November/Recess: School's Out/Down to Earth/Faithless/Yi Yi (2001). See more » |
| Soundtracks | Sweet November See more » |
| Quotes |
Charlie Blake:
Oh cut it out Sara, I love you. That means past November, past winter, past all the dumb years ahead. OK? Sara Deever: We made an agreement, you and I, we shook hands. Charlie Blake: Sara, kids do that. Sara Deever: A bargain is a bargain. A sacred vow and an oath. Whoever breaks that oath must give up all memories of the other. Do you want to give up your memories of me? Charlie Blake: No, of course I don't, and I don't have to. Sara Deever: No, no, I know, I know you don't have to, but supposing that you did. Charlie Blake: Sara, that's silly, I'd have no control over it. I can't just blot everything out simply because I agreed to. Sara Deever: People must be remembered Charlie, otherwise it's as if they were never here at all. All we are are the people who remember us. If we go away, and everybody forgets we were ever here, its as if we never were. See more » |