An American missionary and his wife travel to the exotic island kingdom of Hawaii, intent on converting the natives. But the clash between the two cultures is too great and instead of understanding there comes tragedy.
George Roy Hill
Max von Sydow,
Harvey and Gillian Fairchild face a very difficult weekend. Harvey, celebrating his 60th birthday, is stressed and depressed. Gillian is awaiting the results of a throat biopsy. Their lives... See full summary »
In the number "Burlington Bertie" the banana skin thrown onstage by Gertie disappears. See more »
Close personal relationships are bloody difficult, my darling but they do get easier with time. Loneliness gets harder.
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The only credits seen at the beginning of the film are those for a fictional black-and-white short subject about Gertrude Lawrence. The film's real credits all appear at the end. However, the Twentieth-Century Fox logo is shown only in black-and-white, and with tinny 1940's-style sound recording, as part of that fictional newsreel. We never see the logo in color and stereophonic sound, although Twentieth-Century Fox released "Star!" See more »
*THUD* Like that the romance between box office and Julie Andrews was over.
There are a variety of answers. Tastes had changed. Big-budget musicals were on their way out (and continued to fall out of favor as the decade proceeded--see "Chitty Chitty Bang Bang," "Camelot," and "Paint Your Wagon" for further evidence). And the public had mysteriously cooled on Julie Andrews as well, although the reason behind that eludes those of us who still carry the torch for her.
Caught in the downward spiral, unfortunately, was "STAR!" the musical that was supposed to recapture the magic of "The Sound of Music" by allowing Andrews, Wise, and Chaplin the opportunity of working again. According to critics and box-office receipts, this reunion failed miserably.
But there has been a revisionist feel to "STAR!" over the past few years, as evidenced by the VHS and laser releases, and that's a good thing. This treasure certainly didn't deserved to remain buried forever.
Andrews gives a tour de force performance, tackling a barrel full of unforgettable songs from some of the world's greatest composers/lyricists. She's also given amply opportunity to show off her acting chops, as her Gertie is alternately dazzled and dazzling, enraged, funny, drunk, enamoured, witty, urbane, base, coy, and even sad, lonely, and depressed.
Last, Julie/Gertie is dolled up in some of the most exquisite costumes to ever grace a screen--the Donald Brooks outfits and Cartier jewels will knock your eye out.
That Andrews voice... that Andrews face... that Andrews talent... that Andrews dancing... All up on the screen with nobody to appreciate it in 1968. Luckily, it's now all within grasp.
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