An American missionary and his wife travel to the exotic island kingdom of Hawaii, intent on converting the natives. But the clash between the two cultures is too great and instead of understanding there comes tragedy.
George Roy Hill
Max von Sydow,
Harvey and Gillian Fairchild face a very difficult weekend. Harvey, celebrating his 60th birthday, is stressed and depressed. Gillian is awaiting the results of a throat biopsy. Their lives... See full summary »
Taxi dancer Charity continues to have Faith in the human race despite apparently endless disappointments at its hands, and Hope that she will finally meet the nice young man to romance her ... See full summary »
Stephanie, a famous violin player married to a composer becomes ill from multiple sclerosis. Her whole life goes to pieces : her career ends abruptly and her husband betrays her with ... See full summary »
The only credits seen at the beginning of the film are those for a fictional black-and-white short subject about Gertrude Lawrence. The film's real credits all appear at the end. However, the Twentieth-Century Fox logo is shown only in black-and-white, and with tinny 1940's-style sound recording, as part of that fictional newsreel. We never see the logo in color and stereophonic sound, although Twentieth-Century Fox released "Star!" See more »
Star! is publicized as the flop that ended Julie Andrews' career. None of the blame should be laid at Julie's feet however. Her performance, especially in the musical numbers, is unparalleled. Julie WAS the greatest musical star of her day: if you don't believe me, imagine Barbra (whom I adore also) being tossed around by chorus boys in the "Jenny" finale. Also, kudos must go to Daniel Massey as Noel Coward: he could have really "camped" up the role but, thankfully, he played it with restraint. The problem with the movie is that it is constructed with the great musical numbers connected by a very flawed & minimal plot. Furthermore, the musical numbers don't advance the plot at all (only in a few spots do they even parallel Gertrude Lawrence's life-situations of the moment). So, what we're left with is a revue...a pastiche of musical numbers..a Ziegfield Follies of 1968!! So, the character of Gertrude Lawrence isn't fleshed out enough for audience sympathy to develop. Finally, the choice of imitating b&w newsreel footage just doesn't work and further distances the audience from the movie. Check it out though---the musical numbers are super-spectacular and Julie Andrews gives a Star!-performance
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