Shame (1968)

In the midst of a civil war, former violinists Jan and Eva Rosenberg, who have a tempestuous marriage, run a farm on a rural island. In spite of their best efforts to escape their homeland, the war impinges on every aspect of their lives.

Director:

Ingmar Bergman

Writer:

Ingmar Bergman

Stars:

Liv Ullmann, Max von Sydow, Sigge Fürst

Nominated for 1 Golden Globe. Another 9 wins & 3 nominations.

Cast

Cast overview, first billed only:
Liv Ullmann	...	Eva Rosenberg
Max von Sydow	...	Jan Rosenberg, Evas man
Sigge Fürst	...	Filip, gerillaledare
Gunnar Björnstrand	...	överste Jacobi, borgmästare
Birgitta Valberg	...	fru Jacobi
Hans Alfredson	...	Fredrik Lobelius, antikhandlare
Ingvar Kjellson	...	Oswald, lärare i förhörslokalen
Frank Sundström	...	Förhörsledaren
Ulf Johansson	...	Läkaren i förhörslokalen
Vilgot Sjöman	...	Tv-intervjuaren
Bengt Eklund	...	vakten på Jacobis expedition
Gösta Prüzelius	...	Kyrkoherden i förhörslokalen
Willy Peters	...	En äldre officer
Barbro Hiort af Ornäs	...	Kvinna i flyktingbåten
Agda Helin	...	Handlarfrun

Storyline

During civil war, two musicians retreat to a rural island to farm. They are apolitical; a neighbor sometimes gives them a fish; wine is a luxury. They love each other, but there are problems: the war upsets Jan, he is weepy, too sensitive; Eva wants children, he does not. The war suddenly arrives: rebels attack, neighbors die. When the other side restores order, Jan and Eva are arrested as collaborators. After frightening and roughing them up, the local colonel releases them; then he begins appearing at their farmhouse: to talk or to pursue Eva? He gives her money. The rebels return; chaos ensues. Jan becomes violent and murderous; they flee. Can they escape? If so, to what?

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Plot Keywords:

island | farm | musician | fictional war | soldier | 

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Genres:

Drama

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Certificate:

R

Details

Country:

Sweden

Language:

Swedish

Release Date:

23 December 1968 (USA)

Also Known As:

Shame

Filming Locations:

Visby, Gotland, Sweden

Box Office

Budget:

SEK2,800,000 (estimated)

Company Credits

Production Co:

Cinematograph AB, Svensk Filmindustri (SF)

Technical Specs

Runtime:

103 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

This film is part of the Criterion Collection, spine #961.

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Goofs

Eva is not wearing any socks when Jacobi arrives but several times during his visit she can be seen wearing a couple of black socks and no socks at all again.

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Quotes

Eva Rosenberg: I had a dream. I was walking down a very beautiful street... and on one side there were white houses, with high arches and pillars. On the other side, there was a shady park. Under the trees which were growing near the street. there was a stream of dark green water. And then I came to a high wall, and it was overgrown with roses. And then came an airplane and set the roses on fire. But it wasn't too awful since it was so beautiful. I watched the reflections in the water, and saw how the roses ...

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Connections

Referenced in Shame: The Search for Humanity (2004)

User Reviews

A Relevance Unmatched

I don't recall a film which so deftly shows the emotional destruction of war, as mirrored in one single marital relationship. The focus of the film is the union between Ullman and Von Sydow--the two are in every scene. Through the course of the film, they experience a role reversal--one has the strength of survival and the other is reduced to emotional escapism through dreams. Both will lose a measure of humanity, but one to a greater degree than the other. The characters and the viewer go through periods of fluctuation in regards to closeness--the camera pulls out and away, sound disappears, words are lost, only for the camera to return to painterly closeups of its facially expressive stars. The confusion and fluctuation may make this film hard for some viewers, but this is all purposeful under the master hand of Bergman. I think the use of a "fake" war makes the film timeless, as relevant today as ever before, and by focusing on the human relationship through war, makes the film relevant to everyone. The pair could be anyone. The film is not grounded in place or time, but rather in emotion. A unique and effective war film, unlike any other. Bergman's films are virtuosic in presenting human relationships--that he would bring this to a war film is masterful.