A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths And must survive the terrors of leatherface and his family.
Desirous of starting a family, the young Catholic housewife, Rosemary Woodhouse, and her struggling actor husband, Guy, move into the Bramford: New York's iconic building which brims with unpleasant stories of obscure dwellers and ghastly occurrences. Before long, the young couple is befriended by their somehow eccentric next-door neighbours, Roman and Minnie Castevet, and, shortly after, Rosemary gets pregnant. However, little by little--as the inexperienced mother becomes systematically cut off from her circle and friends--alarming hints of a sinister and well-planned conspiracy begin to emerge, enfolding Rosemary in a shroud of suspicion and mental agony. In the end, why is everyone so conveniently eager to help; furthermore, why is Guy allowing it?Written by
They took out the scene from the book where Rosemary stockpiles up the sleeping pills Saperstein has been giving her and spikes Mia's drink with it. Mia was the person in the coven who was watching Rosemary. Rosemary drugs Mia in the book, waits till she falls asleep, and then confronts the coven in the other room. At this point they, seeing Mia is unconscious, confront Rosemary with killing Mia. Roman tells Rosemary not to worry, she wasn't well liked anyway, and that the coven would cover for Rosemary as long as she played the mother role to Andy. Rosemary then tells them she didn't kill Mia, she just put her to sleep. In the movie Lara Louise is watching Rosemary, and Rosemary just waits till she's out of the room and then she confronts the coven. See more »
When Rosemary is in the laundry room with Terry, we hear the washer buzz and Rosemary throws a capful of softener into it. We hear the distinct sound of the liquid hitting an empty washer, when it is supposed to be full of clothes. See more »
The film originally proved problematic for the UK censors and the rape scene was toned down by the BBFC for the cinema release with edits made to remove dialogue and shots of Rosemary's legs being bound. All later UK video releases featured the uncut print. See more »
Polanski successfully sets the tone right from the beginning as the strange and somewhat scary lullaby plays as the opening credits appear. In the background we see Rosemary's neighborhood while the focus is on her window. This tone is maintained throughout the entire film. The film is quite well executed. Polanski creates a gloomy, isolated and chilling mood. 'Rosemary's Baby' is a horror film but unlike most movies of this genre, this one is very subtle and is more dependent on the atmosphere rather than the 'horror creatures'. It is only in the excellently executed nightmare sequence, which is comprised of fragments of scenes, that one witnesses something 'out of the ordinary'. I was initially dissatisfied by the ending but after some thought, I couldn't think of a better more effective conclusion. The ending itself is so spine-chilling and makes the movie experience more horrifying. The haunting lullaby replays in the end capturing that moment of horror like a photographic memory. The cast does a fine job though clearly this is Farrow's film. Mia Farrow is spellbinding. The way she captures Rosemary's kindness, agony, anguish, fragility and courage is noteworthy. She is simply amazing to watch. I can understand why it is still so popular after 40 years. There has been hardly anything else like it.
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