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Rosemary's Baby (1968)

Approved | | Drama, Horror | 12 June 1968 (Canada)
Trailer
1:38 | Trailer
A young couple trying for a baby move into a fancy apartment surrounded by peculiar neighbors.

Director:

Roman Polanski

Writers:

Ira Levin (from the novel by), Roman Polanski (written for the screen)
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Popularity
1,204 ( 9)
Won 1 Oscar. Another 10 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
Mia Farrow ... Rosemary Woodhouse
John Cassavetes ... Guy Woodhouse
Ruth Gordon ... Minnie Castevet
Sidney Blackmer ... Roman Castevet
Maurice Evans ... Hutch
Ralph Bellamy ... Dr. Sapirstein
Victoria Vetri ... Terry (as Angela Dorian)
Patsy Kelly ... Laura-Louise
Elisha Cook Jr. ... Mr. Nicklas (as Elisha Cook)
Emmaline Henry ... Elise Dunstan
Charles Grodin ... Dr. Hill
Hanna Landy ... Grace Cardiff
Phil Leeds ... Dr. Shand (as Philip Leeds)
D'Urville Martin ... Diego
Hope Summers ... Mrs. Gilmore
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Storyline

Desirous of starting a family, the young Catholic housewife, Rosemary Woodhouse, and her struggling actor husband, Guy, move into the Bramford: New York's iconic building that brims with unpleasant stories of obscure dwellers and ghastly occurrences. Before long, the young couple is befriended by their somehow eccentric next-door neighbours, Roman and Minnie Castevet, and, shortly after, Rosemary gets pregnant. However, little by little--as the inexperienced mother becomes systematically cut off from her circle and friends--alarming hints of a sinister and well-planned conspiracy begin to emerge, enfolding timid Rosemary in a shroud of suspicion and mental agony. In the end, why is everyone so conveniently eager to help? Furthermore, why is Guy allowing it? Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

It's not what you're expecting. See more »

Genres:

Drama | Horror

Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

One of the only horror films with a waltz as a theme song. Horror themes are almost never sung, and they are almost never waltzes in 3/4 time. See more »

Goofs

When Rosemary visits Dr. Sapirstein in the last act, his office manager tells her that the tannis root amulet she wore gave off the same nasty smell as the doctor's aftershave, but Dr. Sapirstein wears a beard. But then, the secretary says, "But then it isn't, is it?" meaning she realized it couldn't be his aftershave she smelled. See more »

Quotes

Roman Castevet: No pope ever visits a city where the newspapers are on strike.
Minnie Castevet: I heard he's gonna postpone and wait till it's over.
Guy Woodhouse: Well, that's showbiz.
Roman Castevet: That's exactly what it is: all the costumes, the rituals - all religions.
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Alternate Versions

The film originally proved problematic for the UK censors and the rape scene was toned down by the BBFC for the cinema release with edits made to remove dialogue and shots of Rosemary's legs being bound. All later UK video releases featured the uncut print. See more »

Connections

Referenced in Valse sentimentale (2007) See more »

Soundtracks

Für Elise
by Ludwig van Beethoven
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User Reviews

 
A Veneer Of Normalcy
25 November 2007 | by LechuguillaSee all my reviews

It starts off like one of those 1950's Doris Day movies. Young, idealistic Rosemary (Mia Farrow) and new hubby Guy (John Cassavetes) move into a Manhattan apartment building called the "Bramford". Throughout most of the film we, as viewers, see and hear what innocent Rosemary sees and hears. There's a veneer of normalcy at the Bramford that belies what's really going on, behind our backs. It's the script's POV, therefore, that makes this film so chilling.

At the Bramford, which has quite a colorful history, you can hear through the walls. And, as Rosemary and we viewers soon find out, strange people lurk in other parts of the building. The strangest of all are Roman and Minnie Castevet (Sidney Blackmer and Ruth Gordon), superficially cordial, but a bit too inquisitive. Roman is retired. His wife, Minnie, wears tons of makeup and pawnshop jewelry, and gushes with praise for herbal cures, especially something called tannis-root. And Minnie's friend Laura-Louise (Patsy Kelly) wears thick glasses that make her eyes seem to bulge, and she talks with a strangely deep voice.

"Rosemary's Baby" is one of the great thrillers of all time. Given the underlying subject matter, can you imagine how this film must have come across to viewers in 1968? The strength of the film is the script, which through its plot and dialogue implies and suggests. Not until near the end do we, like Rosemary, find out the presumed truth. Suspense increases toward the end as Rosemary ventures into the inner sanctum of the Bramford.

The film's acting is great, and reinforces the strong script. I particularly liked Ruth Gordon, with her delightfully eccentric behavior and mannerisms. Production design and especially costumes are lavish and colorful. Clothes and hairstyles, as you would expect, are very 1960ish. Visual effects are minimal, and are used to enhance the story, not be the story.

Given the film's POV, the story is rather subjective. Its interpretation is based on Rosemary's perceptions, images, and fears. One could explain that Rosemary suffers from delusions. Or, alternately, one could explain that what happens is real. It's all in the interpretation. Either way, it's a great movie. It holds up well, forty years later, a tribute to its writer and director, Roman Polanski.


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Frequently Asked Questions

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Details

Country:

USA

Language:

English

Release Date:

12 June 1968 (Canada) See more »

Also Known As:

Rosemary's Baby See more »

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Box Office

Budget:

$2,300,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
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