Release CalendarTop 250 MoviesMost Popular MoviesBrowse Movies by GenreTop Box OfficeShowtimes & TicketsMovie NewsIndia Movie Spotlight
    What's on TV & StreamingTop 250 TV ShowsMost Popular TV ShowsBrowse TV Shows by GenreTV News
    What to WatchLatest TrailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily Entertainment GuideIMDb Podcasts
    OscarsCannes Film FestivalStar WarsAsian Pacific American Heritage MonthSummer Watch GuideSTARmeter AwardsAwards CentralFestival CentralAll Events
    Born TodayMost Popular CelebsCelebrity News
    Help CenterContributor ZonePolls
For Industry Professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign In
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
  • Cast & crew
  • User reviews
  • Trivia
  • FAQ
IMDbPro

Rosemary's Baby

  • 1968
  • R
  • 2h 17m
IMDb RATING
8.0/10
248K
YOUR RATING
POPULARITY
1,482
13
Mia Farrow in Rosemary's Baby (1968)
Three Reasons Criterion Trailer for Rosemary's Baby
Play trailer1:38
4 Videos
99+ Photos
Psychological DramaPsychological HorrorSupernatural HorrorDramaHorror

A young couple trying for a baby moves into an aging, ornate apartment building on Central Park West, where they find themselves surrounded by peculiar neighbors.A young couple trying for a baby moves into an aging, ornate apartment building on Central Park West, where they find themselves surrounded by peculiar neighbors.A young couple trying for a baby moves into an aging, ornate apartment building on Central Park West, where they find themselves surrounded by peculiar neighbors.

  • Director
    • Roman Polanski
  • Writers
    • Ira Levin
    • Roman Polanski
  • Stars
    • Mia Farrow
    • John Cassavetes
    • Ruth Gordon
  • See production info at IMDbPro
  • IMDb RATING
    8.0/10
    248K
    YOUR RATING
    POPULARITY
    1,482
    13
    • Director
      • Roman Polanski
    • Writers
      • Ira Levin
      • Roman Polanski
    • Stars
      • Mia Farrow
      • John Cassavetes
      • Ruth Gordon
    • 714User reviews
    • 298Critic reviews
    • 96Metascore
  • See production info at IMDbPro
    • Won 1 Oscar
      • 13 wins & 13 nominations total

    Videos4

    Rosemary's Baby
    Trailer 1:38
    Rosemary's Baby
    Rosemary's Baby: Party Planning
    Clip 2:19
    Rosemary's Baby: Party Planning
    Rosemary's Baby: Party Planning
    Clip 2:19
    Rosemary's Baby: Party Planning
    Rosemary's Baby: Scrabble
    Clip 2:31
    Rosemary's Baby: Scrabble
    "Servant" Blends Cooking Shows & a Rubber Baby to Perfectly Ruin Thanksgiving
    Interview 3:37
    "Servant" Blends Cooking Shows & a Rubber Baby to Perfectly Ruin Thanksgiving

    Photos283

    View Poster
    View Poster
    View Poster
    View Poster
    View Poster
    View Poster
    + 277
    View Poster

    Top cast92

    Edit
    Mia Farrow
    Mia Farrow
    • Rosemary Woodhouse
    John Cassavetes
    John Cassavetes
    • Guy Woodhouse
    Ruth Gordon
    Ruth Gordon
    • Minnie Castevet
    Sidney Blackmer
    Sidney Blackmer
    • Roman Castevet
    Maurice Evans
    Maurice Evans
    • Hutch
    Ralph Bellamy
    Ralph Bellamy
    • Dr. Sapirstein
    Victoria Vetri
    Victoria Vetri
    • Terry
    • (as Angela Dorian)
    Patsy Kelly
    Patsy Kelly
    • Laura-Louise
    Elisha Cook Jr.
    Elisha Cook Jr.
    • Mr. Nicklas
    • (as Elisha Cook)
    Emmaline Henry
    Emmaline Henry
    • Elise Dunstan
    Charles Grodin
    Charles Grodin
    • Dr. Hill
    Hanna Landy
    Hanna Landy
    • Grace Cardiff
    Phil Leeds
    Phil Leeds
    • Dr. Shand
    • (as Philip Leeds)
    D'Urville Martin
    D'Urville Martin
    • Diego
    Hope Summers
    Hope Summers
    • Mrs. Gilmore
    Marianne Gordon
    Marianne Gordon
    • Rosemary's Girl Friend
    Wende Wagner
    Wende Wagner
    • Rosemary's Girl Friend
    • (as Wendy Wagner)
    Toby Adler
    • Lady on Yacht
    • (uncredited)
    • Director
      • Roman Polanski
    • Writers
      • Ira Levin
      • Roman Polanski
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews714

    8.0248.3K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Featured reviews

    8Rockwell_Cronenberg

    An atmosphere like no other.

    This is how horror films need to be made. Aside from The House of the Devil (a beautiful throwback to this period of the genre) there aren't any films that can so perfectly create this kind of a chilling atmosphere that keeps your skin tingling from start to finish. From the haunting echo of Mia Farrow's voice eerily leading us in, Rosemary's Baby immediately absorbs you into it's world and never lets you out. That's the perfect word for this; absorbing. Roman Polanski is one of cinema's finest directors and what makes him stand as such is how perfectly he can create an atmosphere. Even in his few failures he crafts a unique and full atmosphere that is expertly made for the film he's creating. He's one of the few directors who always know what he's doing and always creates a complete vision that never wavers. That's on display in spades in Rosemary's Baby, a film that drives mystery, supernatural paranoia and the fears of any pregnant woman into the heart of the viewer. With the help of a revelatory performance in terror from Farrow, Polanski creates a truly perfect film.
    9Lechuguilla

    A Veneer Of Normalcy

    It starts off like one of those 1950's Doris Day movies. Young, idealistic Rosemary (Mia Farrow) and new hubby Guy (John Cassavetes) move into a Manhattan apartment building called the "Bramford". Throughout most of the film we, as viewers, see and hear what innocent Rosemary sees and hears. There's a veneer of normalcy at the Bramford that belies what's really going on, behind our backs. It's the script's POV, therefore, that makes this film so chilling.

    At the Bramford, which has quite a colorful history, you can hear through the walls. And, as Rosemary and we viewers soon find out, strange people lurk in other parts of the building. The strangest of all are Roman and Minnie Castevet (Sidney Blackmer and Ruth Gordon), superficially cordial, but a bit too inquisitive. Roman is retired. His wife, Minnie, wears tons of makeup and pawnshop jewelry, and gushes with praise for herbal cures, especially something called tannis-root. And Minnie's friend Laura-Louise (Patsy Kelly) wears thick glasses that make her eyes seem to bulge, and she talks with a strangely deep voice.

    "Rosemary's Baby" is one of the great thrillers of all time. Given the underlying subject matter, can you imagine how this film must have come across to viewers in 1968? The strength of the film is the script, which through its plot and dialogue implies and suggests. Not until near the end do we, like Rosemary, find out the presumed truth. Suspense increases toward the end as Rosemary ventures into the inner sanctum of the Bramford.

    The film's acting is great, and reinforces the strong script. I particularly liked Ruth Gordon, with her delightfully eccentric behavior and mannerisms. Production design and especially costumes are lavish and colorful. Clothes and hairstyles, as you would expect, are very 1960ish. Visual effects are minimal, and are used to enhance the story, not be the story.

    Given the film's POV, the story is rather subjective. Its interpretation is based on Rosemary's perceptions, images, and fears. One could explain that Rosemary suffers from delusions. Or, alternately, one could explain that what happens is real. It's all in the interpretation. Either way, it's a great movie. It holds up well, forty years later, a tribute to its writer and director, Roman Polanski.
    10haristas

    A Landmark Horror film

    "Rosemary's Baby" is one of the best horror films ever made. This isn't because it's going to scare the pants off you with a series of sensational jolts. This isn't the shallow, gimmicky kind of horror movie we mostly get these days, and it isn't the traditional old-fashioned horror film of an earlier era. This is a movie that came out during a period of transition in Hollywood. The old production codes were breaking down and films could suddenly be more true to life in the way they showed how people really lived, acted and talked. 1968s "Rosemary's Baby" is a more sophisticated, less elegant thriller of the kind that Alfred Hitchcock patented, but it displays much more class and intelligence than the horror movies that would come out in its wake. Popular '70s films such as "The Exorcist" and "The Omen" are the prodigy of "Rosemary's Baby," but offer far less nuance and much greater vulgarity. What we get here is a more naturalistic depiction of modern life, but without the crassness that would soon explode into American cinema.

    Most of the credit for what makes "Rosemary's Baby" such a successful film goes to Roman Polanski. Polanski is a master at conveying to an audience not just a sense of the uncanny but a vivid depiction of it. His earlier films like "Knife in the Water," "Repulsion" and "Dance of the Vampires," display the talents that would come to such a controlled mastery in "Rosemary's Baby."

    Polanski very faithfully adapts Ira Levin's novel to the screen so that the viewer is, just as the reader was, free to interpret the eerie events of the story as either reality or a depiction of an isolated woman's decent into madness. At the same time the picture can be taken as a black joke on the human male's fears of the changes a woman goes through during pregnancy, both physically and emotionally. But Polanski seems most interested in presenting a normal world, in this case Manhattan in the mid 1960s, and then through subtle cinematic techniques get an audience to actually believe that the hysterical, fantastic ravings of the heroine could be true. It is this tour de force exercise in suspension of disbelief that makes the film a classic. The horror films that have come since have had to ratchet up the shock effects in order to thrill more desensitized audiences, but this deliberately paced film reminds us of how much better it is to leave things to the imagination of the viewer. That is where films really come alive and remain so.

    The Paramount DVD presents an excellent print of the movie that looks as if it were shot yesterday, along with extras that include new interviews with Polanski, executive producer Bob Evans and production designer Richard Sylbert, and a featurette from the time of the film's original release that really works as a good time capsule.
    10alvinatth

    Flawless Horror Masterpiece

    Rosemary, in Mia Farrow's performance, is so immediately recognizable that everything that happens to her, happens to us. Her explanation to Dr Hill (Charles Grodin) about the absurdity she's at the center of, is so brilliantly written that she becomes more than just one of us, she becomes us in all the depth of our unspoken fears. To see this film in 2007 is really amazing. Perfection! And that for our benefit. Polanski is not one of those directors who concocts camera tricks to feed his own ego. Everything is at the service of the story. John Cassavettes is a scarily convincing weakling with an ambition bigger than his talent. Ruth Gordon got, what I, in my modest opinion, consider one of the most deserving Oscars in the history of the Oscars. Her performance is beyond superb. Okay, I'm running out of superlatives but let me finish with one more...Roman Polanski is the greatest.
    10marcosaguado

    Polanski's Baby

    When people talk about perfect films I don't actually know what they mean. Perfect for whom? Perfect compared to what? I think that perfection is in the brain and heart of the beholder. "Rosemary's baby" is a perfect film to me. Scary in a way that makes you breathless. You're thinking and feeling throughout the film. One of the many sides of Polanski's genius is to suggest. And what he suggest is so monstrous that we don't want to believe it, but we do. The characters are so perfectly drawn that there is no cheating involved. John Cassavettes's superb study in selfishness and egomaniacal frustration is so real that comes to no surprise that he could do what he does to advance his career, but we are surprised, we're horrified. The spectacular Ruth Gordon and Sidney Blackmer are not Deborah Kerr and David Niven, are they? So that they turn out to be what they turn out to be is totally believable, but Polanski presents it in such a light of normality that you can't believe it. Mia Farrow's predicament is as classic as the boy who cried wolf tale and yet, as told by Roman Polanski in the wonderful face of Mia Farrow, is as if we're hearing it, seeing it and living it for the first time. Every silence, every voice in the distance, every door opening. Your heart is always in your throat. There is something there that accelerates a constant state of dread. Very few movies have been able to take me to that place, most of them by Roman Polanski, what about "The Tenant" or "Repulsion"? Other movies that come to mind: David Lynch's "Eraserhead" and Martin Donovan's "Apartment Zero" But "Rosemary's baby" stands alone as a terrifying masterpiece.

    More like this

    Carrie
    7.4
    Carrie
    The Omen
    7.5
    The Omen
    The Exorcist
    8.1
    The Exorcist
    Apartment 7A
    5.9
    Apartment 7A
    The Texas Chain Saw Massacre
    7.4
    The Texas Chain Saw Massacre
    The Tenant
    7.5
    The Tenant
    Rosemarys Baby
    Rosemarys Baby
    Repulsion
    7.6
    Repulsion
    Look What's Happened to Rosemary's Baby
    3.2
    Look What's Happened to Rosemary's Baby
    Halloween
    7.7
    Halloween
    Psycho
    8.5
    Psycho
    The Fly
    7.6
    The Fly

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      According to Mia Farrow, the scenes where Rosemary walks in front of traffic were spontaneous and genuine. Roman Polanski is reported to have told her that "nobody will hit a pregnant woman." The scene was successfully shot with Farrow walking into real traffic and Polanski following, operating the hand-held camera since he was the only one willing to do it.
    • Goofs
      Rosemary didn't close the closet door all the way before fetching the knife because towels and linens were blocking it, but the door is completely closed when she returns.
    • Quotes

      Rosemary Woodhouse: Witches... All of them witches!

    • Alternate versions
      The film originally proved problematic for the UK censors and the rape scene was toned down by the BBFC for the cinema release with edits made to remove dialogue and shots of Rosemary's legs being bound. All later UK video releases featured the uncut print.
    • Connections
      Edited into The Kid Stays in the Picture (2002)
    • Soundtracks
      Lullaby
      (uncredited)

      Composed by Krzysztof Komeda

      Sung by Mia Farrow

    Top picks

    Sign in to rate and Watchlist for personalized recommendations
    Sign in

    FAQ30

    • How long is Rosemary's Baby?Powered by Alexa
    • What is the purpose of the vitamin drink?
    • Is "Rosemary's Baby" based on a book?
    • Is The Bramford a real apartment building in New York?

    Details

    Edit
    • Release date
      • June 12, 1968 (Canada)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • El bebé de Rosemary
    • Filming locations
      • Dakota Hotel - 1 West 72nd St. at Central Park West, Manhattan, New York City, New York, USA(Guy and Rosemary's apartment building)
    • Production company
      • William Castle Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $3,200,000 (estimated)
    • Gross worldwide
      • $3,288
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      2 hours 17 minutes
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

    Related news

    Contribute to this page

    Suggest an edit or add missing content
    Mia Farrow in Rosemary's Baby (1968)
    Top Gap
    What is the streaming release date of Rosemary's Baby (1968) in Australia?
    Answer
    • See more gaps
    • Learn more about contributing
    Edit page

    More to explore

    Recently viewed

    Please enable browser cookies to use this feature. Learn more.
    Get the IMDb app
    Sign in for more accessSign in for more access
    Follow IMDb on social
    Get the IMDb app
    For Android and iOS
    Get the IMDb app
    • Help
    • Site Index
    • IMDbPro
    • Box Office Mojo
    • License IMDb Data
    • Press Room
    • Advertising
    • Jobs
    • Conditions of Use
    • Privacy Policy
    • Your Ads Privacy Choices
    IMDb, an Amazon company

    © 1990-2025 by IMDb.com, Inc.