Shakespeare's classic tale of romance and tragedy. Two families of Verona, the Montagues and the Capulets, have been feuding with each other for years. Young Romeo Montague goes out with his friends to make trouble at a party the Capulets are hosting, but while there he spies the Capulet's daughter Juliet, and falls hopelessly in love with her. She returns his affections, but they both know that their families will never allow them to follow their hearts.Written by
Jean-Marc Rocher <firstname.lastname@example.org>
Ross Lynch (of "Austin and Ally") has stated on multiple occasions that this is his all-time favorite movie. See more »
During the scene at the Capulet's ball where the minstrel sings, in the wide shot the minstrel is seen wearing his mask even though he removed it at the beginning of his song. See more »
Two households, both alike in dignity In fair Verona where we lay our scene. From ancient grudge break to new mutiny Where civil blood makes civil hands unclean From forth the fatal loins of these two foes A pair of star-crossed lovers take their life Whose misadventured piteous overthrows do with their deaths bury their parents' strife.
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In the film's original release, and on DVD, the "End Titles" music continues playing on a black screen after the closing credits have ended, much as "Exit Music" used to do in roadshow releases of films. As currently (2009) shown on cable TV, however, there is an edit on the soundtrack (not on the picture) during the closing credits, so that the music ends exactly at the same time that the visual portion of the film does. See more »
Easily the best Shakespeare film in history, mainly because it stays so true to what Shakespeare wrote and was undoubtedly his vision, yet is undeniably fresh and relevant and affecting, despite its Renaissance setting. It feels more modern and current than the soulless bluster of Baz Luhrmann's effort. Whosoever says Whiting and Hussey are anything short of fantastic as Romeo and Juliet needs to reconsider how they want Shakespeare acted. Do you want dramatic bluster and fist waving (which Hamlet specifically cautions against) or true raw emotion and feeling? These actors, mostly because they were so inexperienced, couldn't be more natural and true to their characters every step of the way. You truly believe that they are in love and it's a legitimate love, no just "crazy teens." And the rest of the cast - Jesus H. Christ! They're all fantastic. The Friar and Nurse were obscenely perfect, becoming among the most endearing characters ever filmed, and of course John McEnery is the best, most pathos-laden Mercutio ever, all stage, screen, TV, etc. renditions included. Michael York is a fabulous Tybalt, menacing, arrogant, headstrong, cruel, but ultimately sympathetic. Tybalt is after all just a petulant child - he's no evil tyrant, just a misguided bully, who certainly doesn't deserve to die. I love that his killing of Mercutio is accidental and that he seems to show remorse for it. Even the Prince is really damn good, with his last lines leaving an absolutely chilling impression on the audience. All are punish-ed! A must see.
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