Rachel, Rachel (1968)

Rachel is a 35 year old school teacher who has no man in her life and lives with her mother. When a man from the big city returns and asks her out, she begins to have to make decisions about her life and where she wants it to go.

Director:

Paul Newman

Writers:

Stewart Stern (screenplay), Margaret Laurence (novel)

Stars:

Joanne Woodward, James Olson, Kate Harrington

Nominated for 4 Oscars. Another 7 wins & 5 nominations.

Cast

Cast overview, first billed only:
Joanne Woodward	...	Rachel Cameron
James Olson	...	Nick Kazlik
Kate Harrington	...	Mrs. Cameron
Estelle Parsons	...	Calla Mackie
Donald Moffat	...	Niall Cameron
Terry Kiser	...	Preacher
Frank Corsaro	...	Hector Jonas
Bernard Barrow	...	Leighton Siddley
Geraldine Fitzgerald	...	Rev. Wood
Nell Potts	...	Rachel as a child
Shawn Campbell	...	James
Violet Dunn	...	Verla
Beatrice Pons	...	Florence
Dortha Duckworth	...	Mae (as Dorothea Duckworth)
Simm Landres

Storyline

Thirty-five year old spinster and virgin Rachel Cameron is a sad, lonely woman. She lives in the small town of Japonica, Connecticut where she grew up. She teaches second grade at Japonica Elementary School and lives with her highly demanding widowed mother (her funeral director father passed away fourteen years ago) in the same apartment above a funeral home where she grew up, despite the home now not being owned by them. Rachel often uses her mother as an excuse not to do things. Rachel represses her emotions, and is prone to daydreaming to envision alternate paths for herself in certain situations if she only had the nerve to do those things. Even when Nick Kazlik, a childhood acquaintance who has returned to Japonica for a summer visit with his family, makes it clear that he wants to have fun with her while he's in town, she can't act on his request out of fear of the unknown. But after a couple of incidents with her only real friend Calla Mackie, who is a fellow teacher at the ...

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Plot Keywords:

teacher | elementary school | connecticut | female protagonist | pentecostalism | 

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Taglines:

Who cares about a 35 year old maiden?

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Genres:

Drama | Romance

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Certificate:

Approved

Did You Know?

Trivia

The production was a small scale budget but eventually emerged as a moneymaker.

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Goofs

Rachel's hair pattern changes in two continuous shots on the hospital bed. The front camera angle shows her hair in front of her ears but the side camera shows her hair behind her ears.

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Quotes

Rachel Cameron: [On the phone with her mother in the room] Hello?
Nick Kazlik: [On the other line] Hello.
Rachel Cameron: Oh, hello!
Nick Kazlik: My folks are away for the weekend. So, I thought maybe you'd like to play house. We got, like, three bedrooms, so we can chase each other from room to room between... you know.
Rachel Cameron: I mean, yes, I'd love to read that book. That sounds very interesting. Can you get it from the public library?
Nick Kazlik: Oh, you can't talk, right?
Rachel Cameron: Right. At this moment, I'm Venus observed.

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Alternate Versions

Joanne Woodward's character's name, Rachel, is changed to Jennifer for the Italian version in order to make it sound more American

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Connections

Referenced in Stella (1990)

User Reviews

Repressed in New England

In the turbulent cultural and political year of 1968, movies hadn't quite yet figured out how they wanted to address current events, or indeed whether they wanted to address them at all. The year's Oscar winner for Best Picture was "Oliver!," an entertaining but utterly irrelevant big-budget musical; "Funny Girl," another stage-to-screen musical that hasn't aged at all well, was also among the nominees. "The Lion in Winter" found Peter O'Toole and Katharine Hepburn bickering in period costumes, while "Romeo and Juliet" gave Shakespeare a jolt of sexiness for the younger generation. Movies that actually felt like they had their finger on the uneasy pulse of the changing times, like "2001: A Space Odyssey," "Rosemary's Baby," "Faces," and "The Battle of Algiers," were nominated in lesser categories but none were up for the big prize. That fifth slot went to "Rachel, Rachel," in which Paul Newman directed his wife, Joanne Woodward, to a Best Actress nomination.

"Rachel, Rachel" certainly did not deserve a place at the Oscar podium above those titles just mentioned that weren't even nominated, but it does have much to recommend it, and the themes it's about speak more to a modern-day audience than those of many of its contemporaries, because they're both universal and timeless. Woodward plays a woman in her 30s, living with her annoying and needy mother and watching her life slowly drip away from her day by day. It's about that moment -- and I have to believe anyone over a certain age has experienced it at least to some degree -- where one realizes that he/she isn't so much living a life as dying a slow and inevitable death. What one does with the time in between suddenly becomes urgent in a way it hasn't ever felt before, and one understands how easy it would be to do nothing and let that slow death gradually come. Woodward's character, brought up in a mortuary and morbidly obsessed with death, doesn't exactly figure out what to do with the time left to her, but she does figure out that she needs to try something different, which is perhaps the best any of us can hope for. Woodward gives a beautiful and nuanced performance as a shy turtle coming out of her shell one painful inch at a time. The movie is melancholy and sad, but it's also hopeful in its conclusion that it's never too late to at least make a grab for, if not happiness, then at least contentment.

In addition to its nominations for Best Picture and Best Actress, the film also received nominations for Best Supporting Actress (Estelle Parsons, as Rachel's closet lesbian friend), and Best Adapted Screenplay (Stewart Stern). Newman himself was not nominated for Best Director, which doesn't really surprise me. The Academy has always shown a penchant for acknowledging the showy over the subtle when it comes to that particular category.

Grade: A

Details

Country:

USA

Language:

English

Release Date:

26 August 1968 (USA)

Also Known As:

A Jest of God

Filming Locations:

Bethel, Connecticut, USA

Box Office

Budget:

$700,000 (estimated)

Company Credits

Production Co:

Kayos Productions

Technical Specs

Runtime:

101 min

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1