In a small, U.S. costal town, with many Spanish speakers, a motorcycle gang arrives on vacation. Also in town to try to reconnect with his pregnant girlfriend, Karen, is businessman Paul ... See full summary »
A cowboy rides into a small town that is ruled with an iron fist by a corrupt Sheriff. He becomes involved with a pretty young town girl and some residents who are trying to oust the ... See full summary »
Jenny, a deaf runaway who has just arrived in San Francisco's Haight-Ashbury district to find her long-lost brother, a mysterious bearded sculptor known around town as The Seeker. She falls in with a psychedelic band, Mumblin' Jim, whose members include Stoney, Ben, and Elwood. They hide her from the fuzz in their crash pad, a Victorian house crowded with love beads and necking couples. Mumblin' Jim's truth-seeking friend Dave considers the band's pursuit of success "playing games," but he agrees to help Jennie anyway.Written by
The movie was meant to perform the same function in relation to The Trip (1967). Jack Nicholson had written a script that director Richard Rush thought was too "experimental" for mainstream cinema, so the concept of a 'youth" film based in San Francisco and dealing with flower power and drugs was taken over by other writers and Nicholson did not eventually receive a screen credit for his work, although he took what was essentially the male lead in the picture. But Nicholson wrote the part of Stoney for himself as part of the package. See more »
During the Strawberry Alarm Clock's "Rainy Day Mushroom Pillow" song, the lead guitarist's guitar changes halfway through the song. See more »
A 17 year old deaf mute (Susan Stasberg!?!) tries to find her brother (Bruce Dern) in 1968 San Franciscos Haight-Ashbury area. A musician (Jack Nicholson) and his friends try to help her.
The plot is unbelievable from the word "go" and, despite location shooting in Haight-Ashbury, this is a very Hollywoodized look at hippies. Everybody is so healthy, friendly, helpful and they live in colorful, spotlessly clean huge houses happily. That was NOT the way it was--any documentary on the 60s could tell you that. Realism aside, this is one of AIP's best pictures.
The dialogue is VERY dated (and hysterically funny) as are the situations, but the film never stops moving, is shot in deep rich color, has good acting (considering) and is never once dull. Check out a most interesting "funeral" in the film and a very funny sex sequence. However, at the end, it gets VERY serious and has a depressing ending. Too bad--it's totally at odds with the rest of the film. Still--well worth seeing.
It also stars Dean Stockwell (who has the best lines) and Garry Marshall (!!!) in a bit as a cop! Produced by Dick Clark!
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