A stage-play producer devises a plan to make money by producing a sure-fire flop.A stage-play producer devises a plan to make money by producing a sure-fire flop.A stage-play producer devises a plan to make money by producing a sure-fire flop.
IMDb RATING
7.5/10
56K
YOUR RATING
- Won 1 Oscar
- 3 wins & 5 nominations total
Videos2
Andréas Voutsinas
- Carmen Ghiaas Carmen Ghia
- (as Andreas Voutsinas)
Renée Taylor
- Eva Braunas Eva Braun
- (as Renee Taylor)
Madelyn Cates
- Conciergeas Concierge
- (as Madlyn Cates)
- Director
- Writer
- All cast & crew
- See more cast details at IMDbPro
Storyline
Did you know
- TriviaRoger Ebert recounted how he was in an elevator with Mel Brooks and Anne Bancroft in New York City after the film premiered. A woman got onto the elevator, recognized him and said, "I have to tell you, Mr. Brooks, that your movie is vulgar." Brooks replied, "Lady", he said, "it rose below vulgarity."
- GoofsDuring the time in Liebkind's flat and leaving it Max and Leo are wearing Nazi bandages on the right arm. However the real swastika bandages were worn on the left arm. Since Franz Liebkind was a "true" Nazi, he should have known that.
- Quotes
Leo Bloom: I'm hysterical! I'm having hysterics. I'm hysterical. I can't stop when I get like this. I can't stop. I'm hysterical.
[Max throws a glass of water on him]
Leo Bloom: I'm wet! I'm wet! I'm hysterical, and I'm wet!
[Max slaps him]
Leo Bloom: I'm in pain! And I'm wet! And I'm still hysterical!
- Crazy creditsThe closing credits show each actor's full name and their picture, but it only says "Zero" for Zero Mostel.
- Alternate versionsSome prints eliminate the opening "Embassy Pictures" logo, as well as a few seconds of footage in the bar scene, including the drunk's dialogue "Let's have a toast...to toast! I love toast..." and the beginning of the song "By the Light of the Silvery Moon". Most prints just cut into the scene in the middle of the song verse.
Top review
Zany Mel Brooks comedy is over-the-top laugh riot...
There are so many laughs in THE PRODUCERS (long before Mel Brooks lost his magic touch), that you'll be in tears by the time Brooks gets to his "Springtime for Hitler" routine. ZERO MOSTEL's early scenes with ESTELLE WINWOOD are hilarious enough, but he and GENE WILDER top themselves by the time you get to the frantic ending.
LEE MEREDITH is the curvy Ulla who can shake a mean hip and DICK SHAWN is the hilariously daffy Lorenzo St. DuBois (LSD for short), and everyone in the cast has a fine time delivering over-the-top performances in the spirit in which this sort of satire requires.
The story is simply that of a producer running short on cash who devises a scheme whereby if he produces the worst musical in the world, he can actually get his investment back and then some. He convinces his mild-mannered bookkeeper GENE WILDER to join him in the scheme and then the fun gets off to a great start.
The climactic "Springtime for Hitler" is just one of the delirious highlights (if politically incorrect by today's standards), and is probably the reason so many of the comments here resent the film and everything it stands for. But there's no getting away from it--the script is downright brilliant and original--winning an Oscar for Best Original Screenplay and numerous other writing awards including an award from The Writer's Guild of America.
Summing up: Mel Brooks at his wittiest.
LEE MEREDITH is the curvy Ulla who can shake a mean hip and DICK SHAWN is the hilariously daffy Lorenzo St. DuBois (LSD for short), and everyone in the cast has a fine time delivering over-the-top performances in the spirit in which this sort of satire requires.
The story is simply that of a producer running short on cash who devises a scheme whereby if he produces the worst musical in the world, he can actually get his investment back and then some. He convinces his mild-mannered bookkeeper GENE WILDER to join him in the scheme and then the fun gets off to a great start.
The climactic "Springtime for Hitler" is just one of the delirious highlights (if politically incorrect by today's standards), and is probably the reason so many of the comments here resent the film and everything it stands for. But there's no getting away from it--the script is downright brilliant and original--winning an Oscar for Best Original Screenplay and numerous other writing awards including an award from The Writer's Guild of America.
Summing up: Mel Brooks at his wittiest.
helpful•278
- Doylenf
- Jan 20, 2007
Details
- Release date
- Country of origin
- Languages
- Also known as
- Mel Brooks' The Producers
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $941,000 (estimated)
- Gross US & Canada
- $328,673
- Opening weekend US & Canada
- $6,091
- Jun 9, 2002
- Gross worldwide
- $375,524
- Runtime1 hour 28 minutes
- Sound mix
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