Just released from prison, a young woman arrives in town to "start a new life", but soon begins stalking a married construction worker for no apparent reason, turning his life inside out and eventually terrorizing him and his wife.
Lisa Macklin, an Italian woman, has a fight with her American husband Robert in a Paris night club. He leaves the next day for a business trip and Lisa says she does not want to see him ... See full summary »
A cynical look at the life of a not so nice country-western singer, Maury Dann - played by Rip Torn in one of his most memorable performances. He ruthlessly manipulates every one around him... See full summary »
Dennis Pitt, now in young adulthood, has been conditionally released from a psychiatric hospital, where he had been institutionalized for an incident that occurred when he was fifteen. Despite the doctors believing he to be rehabilitated in not suffering from the fantasies which dominated his life, Dennis is still required to check in with his case officer, Morton Azenauer, once a week. Azenauer will do whatever he can to help Dennis survive in the outside world. A year following his release, Dennis violates the conditions of his release by moving without telling Azenauer, thus missing his weekly check-ins. He moves to Winslow, Massachusetts where he has gotten a job at Sausenfeld Chemical Co., his boss, Bud Munsch, the company, and his acquaintances in town not aware of his history. In not being truly rehabilitated, Dennis believes the company is part of an alien conspiracy to poison the water supply, including openly discharging chemical waste into the local lake next to the plant. ...Written by
At the start of the film, the owner of the stand throws garbage into the river. The plant at which Tony Perkins works discharges its effluent into the river and pollutes it. In 1968 this was all legal. The disposal of my waste into public property is called "negative externalities." The owner of the stand, and the manager of the factory, don't WANT to pollute public property but they had no incentive to do otherwise until around 1970 when Pres. Nixon created the EPA and signed laws into effect, called a Pigouvian tax, that caused polluters to share the social cost of the pollution. See more »
I once did some unlicensed tree surgery. I foolishly performed an abortion on a peach tree.
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Legendary critic Pauline Kael staunchly championed "Pretty Poison" which she clearly loved but her accolades did little in preventing this small, funny but decidedly evil movie from vanishing into obscurity.
The pairing of Tuesday Weld and Anthony Perkins was inspired. Being actors who Hollywood never quite understood how to use, they are perfectly cast as social renegades. Both are in their prime; young, attractive, funny and fiercely intelligent. They are a joy to watch. Four years later they would be brought together for the wonderful "Play It As It Lays", but by then both tapped into a world weary disillusionment far from the playfulness of "Pretty Poison". They were an odd team, playing off each other to dazzling effect.
How those two movies have been relegated to almost total obscurity remains a sad testament to the industry. Should the rare opportunity to watch "Pretty Poison" arises, don't miss it.
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