Taylor and two other astronauts come out of deep hibernation to find that their ship has crashed. Escaping with little more than clothes they find that they have landed on a planet where men are pre-lingual and uncivilized while apes have learned speech and technology. Taylor is captured and taken to the city of the apes after damaging his throat so that he is silent and cannot communicate with the apes.Written by
John Vogel <firstname.lastname@example.org>
There were three other endings suggested for the film's climax, but the one favored by Charlton Heston ultimately won out. See more »
Several of the outside shots of the spacecraft show the outer hatch removed long before Taylor orders it to be blown. See more »
And that completes my final report until we reach touchdown. We're now on full automatic, in the hands of the computers. I have tucked my crew in for the long sleep and I'll be joining them soon. In less than an hour, we'll finish our sixth month out of Cape Kennedy. Six months in deep space - by our time, that is. According to Dr. Haslein's theory of time, in a vehicle travelling nearly the speed of light, the Earth has aged nearly 700 years since we left it, while we've aged ...
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Classic and energetic science-fiction movie with a terrific Charlton Heston
This known story is the first and best of the primates series; it starts when Taylor(recently deceased Charlton Heston) and three astronauts crash on a far planet and encounter a culture where the simians rule over. At the start they trek taken across the desert. Later discover humanity has gone awry and now is slave and reduced to beasts. Man is treated as animal of burden and regarded as scum. A couple of gorillas named Cornelius(Roddy McDowall) and Zira(Kim Hunter) think otherwise and even agree Taylor escape, accompanied by a gorgeous native named Nova(Linda Harrison). He's trapped and judged by Dr. Zaius(Maurice Evans) and the president of assembly(James Withmore).
This is a classic sci-fi movie with metaphysical significance and reflexion about origin of human being, though also packs action, adventures, intrigue and entertainment. In spite of time, the original energy remains and results to be an agreeable fantasy. Exciting writing credits by Rod Serling and Michael Wilson from Pierre Boulle novel, though the amazing final scripted by Serling. One of the important attributes of this work, is the excellent, spectacular production design by Walter Scott. Glimmer and luminous cinematography by Leon Shamroy. Magnificent make-up by John Chambers, a first-rate expert, such as proved in 'Blade runner, Ssss, Island of Dr Moreau' among others. The picture is fabulously directed by Franklyn J Schaffner, utilizing a great visual sense. The film won two nominations for Academy Award, the best costume and sensational musical score by a top-notch Jerry Golsmith,- Schaffner's usual: Patton, Papillon-, and deservedly won Oscar for make-up by Chambers. Schaffner was an impressive director with hits : 'Boys from Brazil, Papillon, Patton, War lord', but also flops, : 'Lionheart, Island of streams, Nicholas and Alexandra and Sphinx'. Schaffner was one of the most innovate creative minds from the 70s and 80s.
Followed by four inferior sequels and a TV series, as 'Beneath of the planet of apes'(70, Ted Post), 'Escape of planet of apes'(71, Don Taylor), 'Conquest of planet of apes'(72, J. Lee Thompson), 'Battle for the planet of apes'(73, J.Lee Thompson).
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