Private eye P.J. is reluctant when he gets a new job: he shall protect Maureen Preble, mistress of millionaire Orbeson, mainly from attacks by his wife and her greedy family. In truth ...
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A man stumbles out of a car crash with no memory of what transpired. Everyone who he meets suggests that he is a ruthless man with an aggressive temper. Could he be deliberately blocking ... See full summary »
Private eye P.J. is reluctant when he gets a new job: he shall protect Maureen Preble, mistress of millionaire Orbeson, mainly from attacks by his wife and her greedy family. In truth Orbeson plans a deadly intrigue in which P.J. is to play a central part. Meanwhile P.J. falls in love with Maureen and Orbeson's money.Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
In the film's original opening credit sequence, when Thorson (Ken Lynch) and his two henchmen approach a hotel room from the outside, the doorknob is on the left side. In a close-up shot when the door is being smashed down, the doorknob on the right side. See more »
Why hell Universal Pictures does not release P.J. in DVD ? Does this film studio forgot this movie as one of the best thriller ever made in the 60' and 70' ? I saw "Syndicat du meurtre" (french title) only one time 35 years ago, on the 1st french TV channel, black and white broadcasting! So that my memories are black and white and that's perfect for this kind of movies (Can you imagine Asphalt Jungle in Technicolor?) As said in an other comment, P.J. is at the same level as Paul Newman's Harper, Sinatra's Tony Rome or Widmark's Madigan. This movie was really modern for the time, and I really miss it has been let beside as long as mediocre movies block video shop shelves. And never proposed on VOD either. That's too bad...
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