A ragtag group of Pennsylvanians barricade themselves in an old farmhouse to remain safe from a bloodthirsty, flesh-eating breed of monsters who are ravaging the East Coast of the United States.
Inspired by The Farewell director Lulu Wang's call to action at the 2020 Independent Spirit Awards, we celebrate women filmmakers working in their field.
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Director:
John Carpenter
Stars:
Donald Pleasence,
Jamie Lee Curtis,
Tony Moran
The monstrous spirit of a slain child murderer seeks revenge by invading the dreams of teenagers whose parents were responsible for his untimely death.
Director:
Wes Craven
Stars:
Heather Langenkamp,
Johnny Depp,
Robert Englund
Barbra and Johnny visit their father's grave in a remote cemetery when they are suddenly set upon by zombies. Barbra manages to get away and takes refuge in what seems to be an abandoned farm house. She is soon joined by Ben who stopped at the house in need of gas. Beset by the walking dead all around them Ben does his best to secure the doors and windows. The news reports are grim however with creatures returning to life everywhere. Barbra and Ben are surprised when they realize there are 5 people hiding out in the basement: Harry, Helen and Karen Cooper; and a young couple, Tom and Judy. Dissensions sets in almost immediately with Harry Cooper wanting to be in charge. As their situation deteriorates, their chances of surviving the night lessen minute by minute.Written by
garykmcd
Romero always got asked if the tombstone Barbara is kneeling in front of was fake or not. "Are you kidding?" says Russo. "We couldn't afford fake tombstones in those days." See more »
Goofs
In the opening scene, Johnny tells Barbara that they have a "three-hour drive" ahead of them to return home to Pittsburgh. However, later in the film when the TV broadcast is listing local rescue stations, all of the town names given are located in the greater Pittsburgh area. See more »
Quotes
[first lines]
Barbara:
They ought to make the day the time changes the first day of summer.
Johnny:
What?
Barbara:
Well it's eight o' clock and it's still light.
Johnny:
A lot of god the extra daylight does us, you know we've still got a three hour drive back, we're not going to be home until after midnight.
Barbara:
Well, if it really bugged you, Johnny, you wouldn't do it.
Johnny:
You think I wanna blow Sunday on a scene like this? You know, I figure we're either going to have to move mother out here or move the grave to Pittsburgh.
Barbara:
Well she ...
[...] See more »
Crazy Credits
There is no on-screen copyright notice, nor any of the usual legal disclaimers typically found in movie credits; this is the main reason the film has been in the public domain since its release. See more »
Alternate Versions
This film has also been available in the United States in an edited version running 90 minutes (cut from 96 minutes). Some video (and even some DVD) releases have used this edited version. See more »
A car drives up a road, towards a graveyard. Cut to the graveyard, a woman and her brother have brought flowers to their mother's grave. Soon the brother starts taunting his sister, saying: "They're coming to get you, Barbara". Barbara laughs it off and after her brother runs away, she heads to the seemingly innocent man visiting a family member's grave to apologize, and out of nowhere he grabs her. Her brother attempts to fight him off but ends up being killed in the process and Barbara escapes to a farmhouse nearby.
That's how this incredible, highly influential masterclass in horror film making begins. What is still so fascinating about this film is that it retains its ability to genuinely, truly scare the crap out of you. It's not just a 'jump moment' film, George A. Romero sets the mood perfectly with a sublime script and truly effective use of music. As far as modern low budget horror films go, this is nearly the best of them, surpassed only by Sam Raimi's masterpiece "The Evil Dead".
"Night of the Living Dead" isn't scary because of the zombies (although the flesh eating sequences are still among the greatest and most horrifying horror scenes ever made). The film is still effective because it all has a feeling of impending doom. It seems hopeless, disturbing, terrifying because of the claustrophobic mood it sets. It's not the zombies that scare us, it's the idea of being trapped in a small area with nowhere to go and death itself standing right outside your door. What a brilliant film!
8/10
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A car drives up a road, towards a graveyard. Cut to the graveyard, a woman and her brother have brought flowers to their mother's grave. Soon the brother starts taunting his sister, saying: "They're coming to get you, Barbara". Barbara laughs it off and after her brother runs away, she heads to the seemingly innocent man visiting a family member's grave to apologize, and out of nowhere he grabs her. Her brother attempts to fight him off but ends up being killed in the process and Barbara escapes to a farmhouse nearby.
That's how this incredible, highly influential masterclass in horror film making begins. What is still so fascinating about this film is that it retains its ability to genuinely, truly scare the crap out of you. It's not just a 'jump moment' film, George A. Romero sets the mood perfectly with a sublime script and truly effective use of music. As far as modern low budget horror films go, this is nearly the best of them, surpassed only by Sam Raimi's masterpiece "The Evil Dead".
"Night of the Living Dead" isn't scary because of the zombies (although the flesh eating sequences are still among the greatest and most horrifying horror scenes ever made). The film is still effective because it all has a feeling of impending doom. It seems hopeless, disturbing, terrifying because of the claustrophobic mood it sets. It's not the zombies that scare us, it's the idea of being trapped in a small area with nowhere to go and death itself standing right outside your door. What a brilliant film!
8/10