Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths And must survive the terrors of leatherface and his family.
Barbra and Johnny visit their father's grave in a remote cemetery when they are suddenly set upon by zombies. Barbra manages to get away and takes refuge in what seems to be an abandoned farm house. She is soon joined by Ben who stopped at the house in need of gas. Beset by the walking dead all around them Ben does his best to secure the doors and windows. The news reports are grim however with creatures returning to life everywhere. Barbra and Ben are surprised when they realize there are 5 people hiding out in the basement: Harry, Helen and Karen Cooper; and a young couple, Tom and Judy. Dissensions sets in almost immediately with Harry Cooper wanting to be in charge. As their situation deteriorates, their chances of surviving the night lessen minute by minute.Written by
The town names used in the broadcasts seen in the film were actual town names throughout Pennsylvania, and Romero cites this for the reason they had to make announcements when it first ran on TV stating the events being depicted were not real. "We figured if we had to carry the picture from drive-in to drive-in to get it on screens, maybe people would recognize all these different towns," says Russo. He also notes the networks were worried it would essentially be a repeat of Orson Welles' "War of the Worlds" broadcast and the controversy surrounding that. See more »
When Ben creates a torch out of one of the table legs and is about to push the chair outside and light it in front of the zombies, he opens the door and for a split second you can see it is daylight outside, but it cuts back to nighttime in the next shot when he gets outside. See more »
They ought to make the day the time changes the first day of summer.
Well it's eight o' clock and it's still light.
A lot of god the extra daylight does us, you know we've still got a three hour drive back, we're not going to be home until after midnight.
Well, if it really bugged you, Johnny, you wouldn't do it.
You think I wanna blow Sunday on a scene like this? You know, I figure we're either going to have to move mother out here or move the grave to Pittsburgh.
Well she ...
[...] See more »
The credits play over still frames of the hunters dragging Ben out of the house with meat hooks. After the credits, there's a short scene of the hunters setting a pile of zombies on fire. See more »
The older computer-colorized version (like the Video Treasures VHS version)has the TV screen the characters are watching and the photos in the closing credits in the original black and white. The new 20th Century Fox/Off Color Films DVD keeps the TV broadcast in black and white, but colorizes the closing photo montage. See more »
The film that redefined the horror genre overnight
The Shining, The Exorcist and The Omen are all films that owe some of their stylistic approach to this film. This is the film that re-wrote the rules of the horror genre as it went along, whilst acting as both social critique and fond homage to 'The Birds' as well.
Romero set in place a steady breakdown of all our assumptions of the horror film, which he then utilised to full effect through the rest of this film and the two superb sequels that followed.
This is perhaps one of the greatest low budget cult movies ever made, certainly one of the most influential, and in its brutally harrowing documentary style conclusion a harsh statement on American racial attitudes. A statement which is as relevant today as it was over thirty years ago.
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