Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths And must survive the terrors of leatherface and his family.
Barbra and Johnny visit their father's grave in a remote cemetery when they are suddenly set upon by zombies. Barbra manages to get away and takes refuge in what seems to be an abandoned farm house. She is soon joined by Ben who stopped at the house in need of gas. Beset by the walking dead all around them Ben does his best to secure the doors and windows. The news reports are grim however with creatures returning to life everywhere. Barbra and Ben are surprised when they realize there are 5 people hiding out in the basement: Harry, Helen and Karen Cooper; and a young couple, Tom and Judy. Dissensions sets in almost immediately with Harry Cooper wanting to be in charge. As their situation deteriorates, their chances of surviving the night lessen minute by minute.Written by
When Ben is nailing wooden boards to the door, small numbers can be seen on them. These were written on the backs of the boards so they could be removed and replaced in between shots, preserving continuity. Some numbers are visible because some of the boards were nailed on backwards. See more »
When Barbara is told not to look at the defeated zombie that tried to attack her, his eyes are moving to look at her. See more »
They ought to make the day the time changes the first day of summer.
Well it's eight o' clock and it's still light.
A lot of god the extra daylight does us, you know we've still got a three hour drive back, we're not going to be home until after midnight.
Well, if it really bugged you, Johnny, you wouldn't do it.
You think I wanna blow Sunday on a scene like this? You know, I figure we're either going to have to move mother out here or move the grave to Pittsburgh.
Well she ...
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There is no on-screen copyright notice, nor any of the usual legal disclaimers typically found in movie credits; this is the main reason the film has been in the public domain since its release. See more »
The old German version misses some short scenes of dialouge when Johnny and Barbara arrive at the cemetary. Some text is synchronized in a different meaning (the car's radio). See more »
A car drives up a road, towards a graveyard. Cut to the graveyard, a woman and her brother have brought flowers to their mother's grave. Soon the brother starts taunting his sister, saying: "They're coming to get you, Barbara". Barbara laughs it off and after her brother runs away, she heads to the seemingly innocent man visiting a family member's grave to apologize, and out of nowhere he grabs her. Her brother attempts to fight him off but ends up being killed in the process and Barbara escapes to a farmhouse nearby.
That's how this incredible, highly influential masterclass in horror film making begins. What is still so fascinating about this film is that it retains its ability to genuinely, truly scare the crap out of you. It's not just a 'jump moment' film, George A. Romero sets the mood perfectly with a sublime script and truly effective use of music. As far as modern low budget horror films go, this is nearly the best of them, surpassed only by Sam Raimi's masterpiece "The Evil Dead".
"Night of the Living Dead" isn't scary because of the zombies (although the flesh eating sequences are still among the greatest and most horrifying horror scenes ever made). The film is still effective because it all has a feeling of impending doom. It seems hopeless, disturbing, terrifying because of the claustrophobic mood it sets. It's not the zombies that scare us, it's the idea of being trapped in a small area with nowhere to go and death itself standing right outside your door. What a brilliant film!
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