Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Barbra and Johnny visit their father's grave in a remote cemetery when they are suddenly set upon by zombies. Barbra manages to get away and takes refuge in what seems to be an abandoned farm house. She is soon joined by Ben who stopped at the house in need of gas. Beset by the walking dead all around them Ben does his best to secure the doors and windows. The news reports are grim however with creatures returning to life everywhere. Barbra and Ben are surprised when they realize there are 5 people hiding out in the basement: Harry, Helen and Karen Cooper; and a young couple, Tom and Judy. Dissensions sets in almost immediately with Harry Cooper wanting to be in charge. As their situation deteriorates, their chances of surviving the night lessen minute by minute.Written by
Russo points out how Night of the Living Dead was the first movie to feature flesh-eating zombies, and they had to invent how "ghouls," as he calls them, walked and moved. He points out Bill Heinzman, who plays the first zombie Barbara comes across, had difficulty figuring out how to move. The script called them slow-moving, but he had to be strong enough to break windows and bust down doors. Romero's direction to him was just to "do it anyway," and he did. See more »
When the first zombie gets to the house where Barbara is hiding, it's still daylight. Moments later it appears to be the middle of the night. See more »
They ought to make the day the time changes the first day of summer.
Well it's eight o' clock and it's still light.
A lot of god the extra daylight does us, you know we've still got a three hour drive back, we're not going to be home until after midnight.
Well, if it really bugged you, Johnny, you wouldn't do it.
You think I wanna blow Sunday on a scene like this? You know, I figure we're either going to have to move mother out here or move the grave to Pittsburgh.
Well she ...
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There is no on-screen copyright notice, nor any of the usual legal disclaimers typically found in movie credits; this is the main reason the film has been in the public domain since its release. See more »
The older computer-colorized version (like the Video Treasures VHS version)has the TV screen the characters are watching and the photos in the closing credits in the original black and white. The new 20th Century Fox/Off Color Films DVD keeps the TV broadcast in black and white, but colorizes the closing photo montage. See more »
The film that redefined the horror genre overnight
The Shining, The Exorcist and The Omen are all films that owe some of their stylistic approach to this film. This is the film that re-wrote the rules of the horror genre as it went along, whilst acting as both social critique and fond homage to 'The Birds' as well.
Romero set in place a steady breakdown of all our assumptions of the horror film, which he then utilised to full effect through the rest of this film and the two superb sequels that followed.
This is perhaps one of the greatest low budget cult movies ever made, certainly one of the most influential, and in its brutally harrowing documentary style conclusion a harsh statement on American racial attitudes. A statement which is as relevant today as it was over thirty years ago.
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