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Night of the Living Dead (1968)

Not Rated | | Horror | 4 October 1968 (USA)
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There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these bloodthirsty, flesh-eating monsters.

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Writers:

(screenplay) (as John Russo), (screenplay) (as George Romero)
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3,213 ( 103)
2 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
... Ben
... Barbra
... Harry Cooper
... Helen Cooper
Keith Wayne ... Tom
... Judy
... Karen Cooper / Corpse in House
Charles Craig ... Newscaster / Zombie
... Zombie (as Bill Heinzman)
... Sheriff McClelland
Frank Doak ... Scientist
Bill Cardille ... Field Reporter (as Bill 'Chilly Billy' Cardille)
... Zombie / Posse Member
Samuel R. Solito ... Zombie / Posse Member
Mark Ricci ... Washington Scientist
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Storyline

Barbra and Johnny visit their father's grave in a remote cemetery when they are suddenly set upon by zombies. Barbra manages to get away and takes refuge in what seems to be an abandoned farm house. She is soon joined by Ben who stopped at the house in need of gas. Beset by the walking dead all around them Ben does his best to secure the doors and windows. The news reports are grim however with creatures returning to life everywhere. Barbra and Ben are surprised when they realize there are 5 people hiding out in the basement: Harry, Helen and Karen Cooper; and a young couple, Tom and Judy. Dissensions sets in almost immediately with Harry Cooper wanting to be in charge. As their situation deteriorates, their chances of surviving the night lessen minute by minute. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

They won't stay dead! See more »

Genres:

Horror

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

4 October 1968 (USA)  »

Also Known As:

Laugh Track: Night of the Living Dead  »

Filming Locations:

 »

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Box Office

Budget:

$114,000 (estimated)

Opening Weekend USA:

$5,452, 15 October 2017, Limited Release

Gross USA:

$89,029, 9 November 2017

Cumulative Worldwide Gross:

$30,000,000
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (Night of Anubis workprint)

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The real gravestone that Barbara (Judith O'Dea) cowers beside in the graveyard scene of the movie is that of Nicholas Kramer (1842-1917), whose remains are interred in the Evans City Cemetery in Jackson Township, Butler County, Pennsylvania. See more »

Goofs

When Johnny gets out of his car he throws his driving gloves onto the dashboard, but a little later he takes them out of his pocket and puts them on. See more »

Quotes

[first lines]
Barbara: They ought to make the day the time changes the first day of summer.
Johnny: What?
Barbara: Well it's eight o' clock and it's still light.
Johnny: A lot of god the extra daylight does us, you know we've still got a three hour drive back, we're not going to be home until after midnight.
Barbara: Well, if it really bugged you, Johnny, you wouldn't do it.
Johnny: You think I wanna blow Sunday on a scene like this? You know, I figure we're either going to have to move mother out here or move the grave to Pittsburgh.
Barbara: Well she ...
[...]
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Crazy Credits

The credits play over still frames of the hunters dragging Ben out of the house with meat hooks. After the credits, there's a short scene of the hunters setting a pile of zombies on fire. See more »

Connections

References Revolt of the Zombies (1936) See more »

Soundtracks

Fire (JB-28)
(uncredited)
Music by William Loose and Jack Cookerly
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Frequently Asked Questions

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User Reviews

The film that redefined the horror genre overnight
28 February 1999 | by See all my reviews

The Shining, The Exorcist and The Omen are all films that owe some of their stylistic approach to this film. This is the film that re-wrote the rules of the horror genre as it went along, whilst acting as both social critique and fond homage to 'The Birds' as well.

Romero set in place a steady breakdown of all our assumptions of the horror film, which he then utilised to full effect through the rest of this film and the two superb sequels that followed.

This is perhaps one of the greatest low budget cult movies ever made, certainly one of the most influential, and in its brutally harrowing documentary style conclusion a harsh statement on American racial attitudes. A statement which is as relevant today as it was over thirty years ago.


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