A biography of the dancer Isadora Duncan, the 1920s dancer who forever changed people's ideas of ballet. Her nude, semi-nude, and pro-Soviet dance projects as well as her attitudes on free ...
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During the sixteenth century, the Catholic Mary, Queen of Scots engages in over two decades of religious and political conflict with her cousin, the Protestant Queen Elizabeth I of England, amidst political intrigue in her native land.
Axel Freed is a literature professor. He has the gambling vice. When he has lost all of his money, he borrows from his girlfriend, then his mother, and finally some bad guys that chase him. Despite all of this, he cannot stop gambling.
Rachel is a 35 year old school teacher who has no man in her life and lives with her mother. When a man from the big city returns and asks her out, she begins to have to make decisions about her life and where she wants it to go.
Aboard a ship early in the 20th-century, a middle-aged Italian tells his story of love to a Russian. In a series of flashbacks filmed almost entirely in creams, whites, and ochers, the ... See full summary »
A biography of the dancer Isadora Duncan, the 1920s dancer who forever changed people's ideas of ballet. Her nude, semi-nude, and pro-Soviet dance projects as well as her attitudes on free love, debt, dress, and lifestyle shocked the public of her time.Written by
John Vogel <email@example.com>
When filming "the Russian dance sequence" in a theater filled with unsuspecting extras, Vanessa Redgrave duplicated a real-life incident in the life of Isadora Duncan by ripping off the top of her dress and dancing bare-breasted. The extras were not told that she would do this, thus providing the desired audience-aghast reaction shots that director Karel Reisz wanted. See more »
The film was originally released at a length of 168 minutes. Following this, the film was cut to 138 minutes. In 1987, director Karel Reisz prepared a director's cut of the film, for its television showings, running at a length of 153 minutes. This was the only version ever available on video. See more »
ISADORA is one of those exquisitely produced big studio films of the late 60s that had a major release for 3 months and then vanished off the face of the earth forever. Some other titles this seemed to have happen to are; YOUNG WINSTON, NICHOLAS AND ALEXANDRA, MONTECARLO OR BUST (the other "Great Race" movie), STAR!, MAROONED, FINIANS RAINBOW, ON A CLEAR DAY, DARLING LILI....all presented in 70mm as souvenir ticket presentations in luxury cinemas of the time and then.....rarely revived or screened but also never forgotten, because so many people apparently saw them and remember them from this one major release. ISADORA may have been more financially successful than some mentioned above and it did have a huge impact on the beautiful Art Nouveau decor revival of the 60s (Art Deco ate the 70s..or vice versa). The look for the film was a sensation and the impact on teenage girls and their mothers was undeniable, all having a huge impact on free form ballet classes (nymphs and Grecian urns and veils) so hilariously satirized in THE BOYFRIEND in 1972. Vanessa Redgrave is synonymous with this role and one yearns for a cinema presentation of this extraordinary 20s icon now in 2005. I don't remember the film being overly criticized in 1968, it was a hit and respected for its tragic story and superb art direction. Several docos appeared on TV (one even being directed by Ken Russell) and there was quite a celebration of all things ISADORA and Vanessa in that year. But none since.
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